Entertainment
Okyeame Kwame details reasons GHAMRO is struggling
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Revered Ghanaian musician, Okyeame Kwame has detailed reasons the Ghana Music Right Organisation,(GHAMRO) is currently struggling to live up to expectations.
Okyeame Kwame made this submission in a recent discussion on United Television (UTV).
According to him, the first reason for GHAMRO’s unending crippling is that the artistes who are key stakeholders do not care.
According to him, with his experience over the years, artistes have failed to show interest in the affairs of GHAMRO, and this he said has affected the institution’s usefulness.
He said their lack of interest does not contribute to idea sharing and constructive criticism for improved GHAMRO.
Additionally, he said GHAMRO is ineffective in its administrative approach.
This ineffectiveness, he said has caused them the ability to put in place the right mechanism for effective collection and distribution of royalties.
Consequently, Okyeame Kwame added that most of the media houses do not log and pay the appropriate royalties expected of them. This, according to him, makes it difficult for the media to be exonerated from the current challenges bedevilling GHAMRO.
He said in advanced societies the media and other users of music pay royalties to enhance the work of the Collective Management Organisations (CMOs).
According to him, the media has a huge responsibility to educate people about paying royalties, and if the same institution is not paying, it would be difficult for them to preach to others about the need to pay.
Finally, he noted that the Attorney General’s Department with legal oversight responsibility does not care about the plight of GHAMRO, adding that it is why the needed reforms have not taken place for a seamless running of affairs.
“Attorney General has what it takes to call the media houses to order by ensuring all of them follow the law and log, and at the same time be stringent on GHAMRO to ensure they are rightly executing their function,” Okyeame Kwame said.
According to him, “Should the CMO falter, their licence could be revoked by so doing GHAMRO will sit up.”
Against this backdrop, Okyeame Kwame urged all key stakeholders to play their useful roles to ensure an effective collection and distribution of royalties to the right owners.
Okyeame Kwame has recently released a classic song dubbed “Sika” featuring multiple award-winning musician, Kofi Kinaata.
The song, which is making waves is available on all streaming platforms.
By Edem Mensah-Tsotorme
The singer, born Samuel Ofei Ankrah Badu, says the concert will be a special moment for the Central Region, as it marks his first-ever live performance in the historic city.
“This will be a special moment for the people of Cape Coast, because for the first ever time, I’m going to have a show there. It’s going to be a live band performance,” AratheJay said.
The Cape Coast show forms part of a nationwide city tour leading up to his major headline concert in Accra this December.
According to the artiste, the tour is designed to give fans an intimate experience of his evolving sound.
“We are leading the audience to an experience which is going to happen in December in Accra. But before that, we are going to touch a couple of cities, so we just came from Kumasi, we do Cape Coast and hopeful another city before closing the year with Nimo Live Experience in Accra,” he explained.
The award-winning crooner promised fans in Cape Coast an unforgettable night with his live band, featuring some of his biggest records.
Fans should expect AratheJay unleash countless hit songs to create an irresistible atmosphere.
He described the upcoming concert asa deeper connection to his artistry.
“Nimo Live is AraTheJay live on stage. One set at a time, you get to hear AratheJay and listen to his music, but this time you get to feel the individual, get to understand the depth to what he makes music with. It’s not just lyrics and melodies, it’s more than that. That’s why I yearn for the audience to come for Nimo Life, come and experience me more live,” he said.
Known for blending traditional Ghanaian Highlife with Afro-soul and contemporary Afrobeats, AratheJay has been spotlighted by Apple Music’s Africa Rising Class of 2025 and Up Next programme, OkayAfrica and Amplify Africa a testament to his potential to take on the world.
By Edem Mensah-Tsotorme
Award-winning Ghanaian rapper, Michael Addo popularly known as Sarkodie, has called for a deeper and more sustainable partnership between Ghana’s creative industry and the financial technology sector.
The rapper made the call on Tuesday when he paid a courtesy call on the management of MobileMoney Fintech Limited at the company’s head office in Accra to explore opportunities for collaboration beyond the conventional corporate sponsorship arrangement.
The meeting focused on how the two sectors could work together to promote financial inclusion, digital financial services and opportunities within Ghana’s growing creative economy.
The rapper acknowledged MobileMoney Fintech Ltd’s past support for his annual Rapperholic concert, but emphasised that his broader objective was to establish a long-term partnership that creates sustainable value for both the company and the creative industry.
“I am here today not like the usual business where we come and ask, ‘Can we get sponsorship for our show?’ and that’s it. It goes beyond just coming in and getting support,” Sarkodie said.
He pointed out that artistes and creative professionals maintain long-term visions for their careers including album releases, tours, brand initiatives, and community engagement programmes and argued that corporate partnerships should be structured around shared objectives.
Sarkodie proposed to use his upcoming campus tour as a platform for MobileMoney Fintech Ltd to engage directly with young people, raising awareness about the company’s new MoMo app and its comprehensive suite for financial services.
Welcoming Sarkodie and his team, the Chief Executive Officer of MobileMoney Fintech Ltd, Mr Shaibu Haruna, described the visit as an important step towards strengthening the relationship between the creative and Fintech industries.
Mr Haruna explained that although MobileMoney Fintech Ltd was primarily a technology-driven company, its relationship with the entertainment industry remained strategic because of the enormous reach and influence of both sectors.
Both parties expressed commitment to future engagements to identify concrete areas of cooperation, focusing heavily on expanding financial inclusion, connecting young people to digital financial services, and accelerating the growth of Ghana’s creative economy.
By Linda Abrefi Wadie
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