Entertainment
Okyeame Kwame details reasons GHAMRO is struggling
Revered Ghanaian musician, Okyeame Kwame has detailed reasons the Ghana Music Right Organisation,(GHAMRO) is currently struggling to live up to expectations.
Okyeame Kwame made this submission in a recent discussion on United Television (UTV).
According to him, the first reason for GHAMRO’s unending crippling is that the artistes who are key stakeholders do not care.
According to him, with his experience over the years, artistes have failed to show interest in the affairs of GHAMRO, and this he said has affected the institution’s usefulness.
He said their lack of interest does not contribute to idea sharing and constructive criticism for improved GHAMRO.
Additionally, he said GHAMRO is ineffective in its administrative approach.
This ineffectiveness, he said has caused them the ability to put in place the right mechanism for effective collection and distribution of royalties.
Consequently, Okyeame Kwame added that most of the media houses do not log and pay the appropriate royalties expected of them. This, according to him, makes it difficult for the media to be exonerated from the current challenges bedevilling GHAMRO.
He said in advanced societies the media and other users of music pay royalties to enhance the work of the Collective Management Organisations (CMOs).
According to him, the media has a huge responsibility to educate people about paying royalties, and if the same institution is not paying, it would be difficult for them to preach to others about the need to pay.
Finally, he noted that the Attorney General’s Department with legal oversight responsibility does not care about the plight of GHAMRO, adding that it is why the needed reforms have not taken place for a seamless running of affairs.
“Attorney General has what it takes to call the media houses to order by ensuring all of them follow the law and log, and at the same time be stringent on GHAMRO to ensure they are rightly executing their function,” Okyeame Kwame said.
According to him, “Should the CMO falter, their licence could be revoked by so doing GHAMRO will sit up.”
Against this backdrop, Okyeame Kwame urged all key stakeholders to play their useful roles to ensure an effective collection and distribution of royalties to the right owners.
Okyeame Kwame has recently released a classic song dubbed “Sika” featuring multiple award-winning musician, Kofi Kinaata.
The song, which is making waves is available on all streaming platforms.
By Edem Mensah-Tsotorme
Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA
The management of Prophet Joseph Atarah Ministries (PJAM) has announced the 2026 edition of the highly anticipated annual gospel concert, Atarah Praise.
This edition, under the theme: ‘Dalet,’ is scheduled for 4pm, Sunday, May 24, at the Bayview Village.
Patrons will enjoy an atmosphere charged with powerful worship, prophetic ministration, and spiritual renewal.
Against this backdrop, Prophet Joseph Atarah will team up with some of Ghana’s finest gospel ministers, including Piesie Esther, Kofi Owusu Peprah, Obaapa Christy, and Siisi Baidoo.
Over the years, Atarah Praise has evolved into one of Ghana’s most impactful worship gatherings, attracting thousands of believers seeking a profound encounter through music, prayer, and thanksgiving.
The 2026 edition is positioned as a divine platform for renewal, restoration, and spiritual awakening.
Patrons are encouraged to arrive early to secure convenient seats and be there with the heart of the worship.
By Edem Mensah-Tsotorme
