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TGMA fashion falls short of expectations  — Fashion PR

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• Faith Ocloo
• Faith Ocloo

 The 2025 Telecel Ghana Music Awards (TGMA) may have delivered on its promise to celebrate musical excellence, but when it came to fashion, the red carpet left much to be desired, according to fashion publicist Faith Senam Ocloo.

In a candid review of the eve­ning’s fashion, Ocloo expressed disappointment at the overall styling and presentation of many of the night’s attendees, noting that only a handful truly em­braced the glamour and creativity expected on such a major plat­form.

Ms Ocloo said this in an inter­view with The Spectator Agoro in Accra last week.

“The overall fashion at this year’s TGMA was a little disap­pointing, honestly, we had very few great looks on the night com­pared to the number that didn’t look red carpet-worthy.”

While acknowledging the efforts of some talents who exhibit­ed thoughtful styling and clear fashion direction, Ocloo criticised the majority for playing it safe or failing to deliver cohesive, well-executed outfits.

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She pointed out that despite years of public scrutiny, many industry players still fall short in their red carpet presentation.

“This is the biggest night for Ghana’s music industry, and I would expect people to show up really fashionable,” she said.

According to Ms Ocloo, although there is growing interest in bold fashion statements, the local industry still lacks the robust styling, grooming, and creative direction needed to elevate fash­ion standards at such high-profile events.

She highlighted Empress Gifty, Fella Makafui, and Piesie Esther as among the few who stood out with polished yet safe looks, add­ing that while they were not “out of this world,” they managed to pull off strong fashion moments.

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Ms Ocloo also drew comparisons with other continental events, particularly the Africa Magic Viewers’ Choice Awards (AMVCA), which she praised for building a strong fashion ecosystem involv­ing stylists, designers, glam teams, and the media.

“What the TGMA is currently lacking is that sense of intentionality and coordination,” she said. “We need to treat our award shows as platforms for creative storytelling, not just appearances.”

She further empha­sised the need for deeper investments in fashion education, bet­ter collaboration with local designers, and a red carpet culture that prioritises individual­ity and excellence.

Reflecting on the night, Ocloo acknowledged the significance of the awards in spotlighting musical talent but noted that the event’s production and fashion execution still have room for improvement.

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“It’s a reflection of the broad­er creative economy – we’re still on the path. But with more collaboration between music, fashion, and media, the TGMA can become a truly iconic night for Ghanaian pop culture,” she con­cluded.

Entertainment

Ghana launches 2026 Heritage Month

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Abla Dzifa Gomashie

The Ghana Tourism Authority (GTA), under the auspices of the Ministry of Tourism, Culture and Creative Arts, has launched Heritage Month to project the country’s rich culture and national identity.

The launch took place at Nationalism Park on Monday, March 2, 2026.

This year’s celebration, under the theme, “Experience Ghana, My Heritage, My Pride (Taste 69@69),” also marked the launch of the historic Vodza Regatta.

Speaking at the launch, Madam Abla Dzifa Gomashie emphasized the role of tourism, culture and the creative arts in driving jobs, empowering youth and women, and stimulating domestic tourism.

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She commended President John Dramani Mahama for offering to be the culture ambassador extraordinary.

According to her, the tourism and creative sector, as the biggest service provider, needs support because it has what it takes to create a lot of employment for Ghanaians.

The minister also charged schools, corporate Ghana, and everyone to visit local tourist sites across the country and enjoy the local cuisines.

She also commended the Ghana Culture Forum and the National Folklore Board for advancing Ghana’s heritage recognition efforts.

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The Chief Executive Officer (CEO) of GTA, Maame Efua Houadjeto, noted that Heritage Month is both a cultural celebration and an economic activation strategy, with activities including discounted access to heritage sites.

Mrs. Efua Houadjeto noted that there would be “Taste 69@69” culinary showcase, a nationwide Heritage Caravan, Akwaaba Festival, Asa Baako Festival, Akple Festival, Kenkey Festival, Independence Open Mic Concert, and Ghana Day, among others.

She revealed that there would be the unveiling of a revitalised GTA digital platform and an enhanced Ghana Travel portal.

Present at the launch were the Deputy Minister of Tourism, Yussif Issaka Jajah, Ghana Tourism Development Company boss, Prof. Kobby Mensah, Deputy GTA CEO, Gilbert Abeiku Aggrey, other sector directors, traditional authorities, diplomatic representatives, stakeholders and the media.

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By Edem Mensah-Tsotorme

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Enuonyam releases ‘Jesus Given’ album

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Enuonyam

Ghanaian gospel artist Enuonyam Akuffo Tuffour, known in the showbiz circles as Enuonyam, has released her much-awaited album dubbed ‘Jesus Given’.

The six-track album is made up of songs like Jesus Given, Be Still featuring Luigi Maclean, Kyere Me Kwan featuring Kweku Teye, I Will Not Be Moved, Holy Ghost, and Hallelujah Holy.

Speaking to The Spectator Agoro during an exclusive listening session, Enuonyam said, “‘Jesus Given’ is a summary of what Jesus did on the cross for humanity and the benefit thereof.”

She added that it is an album inspired by John 15:13, which speaks of the greatest gift given to humanity: Jesus Christ, who later died for humanity.

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Touching on the production process, she said it was a smooth process working on the album: “Everything worked as planned from collaboration to all those who played key roles in making the process possible.”

In a message to the public, the gospel musician said, “Everyone who is looking to experience Jesus intimately and beautifully should listen to the album.”

She was optimistic that the album would impact many lives and urged music lovers to stream Jesus Given, adding that the album is available on all streaming platforms.

By Edem Mensah-Tsotorme

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