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People of Prampram gear up for Lalue Kpledomi festival after symbolic visit to the Ancestral Forest
The people of Prampram are gearing up for the celebration of this year’s Lalue Kpledomi festival beginning from April 23.
According to an elaborate programme released by the Prampram Traditional Council, a curfew will immediately follow right after the first celebration has ended.
The second and third will also follow the next Tuesday after each other.
The festival is a veneration of the ancestral deity, Lalue, and the first is held to honour her memory.
The final celebration is often taken into the lower side of Prampram, where the “Kplemi” or drum is lowered into the sea.
Prior to that, an appropriate customary rite will be performed by the Chief Priest of the Traditional Area, Nii Ayertey Charway Labia.
As part of an elaborate spiritual rites towards the festival, a symbolic visit to the ancestral forest was performed near the forecourt of the Prampram District Assembly.
The all-white spiritual cermoney was attended by members of the Prampram Traditional Council led by its President and the Paramount Chief Nene Tetteh Wakah III, who asked for blessings for the people of Prampram and its environs.
For the first time, the event was carried live on PramcitiTV, a social media news outlet based in the town, and streamed around the world.
Explaning the rationale behind the event, Nii Ayiku Obleh IV or Numlor Kpanyor, a Counsellor and prominent member from Kley, one of the four quarters making up Prampram, said the “Huemiyami” in Dangbe or the visit to the ancestral forest, offers the spiritual heads in the town an opporutnity to come together and seek God’s blessings.
He said spiritual fortification is an integral part of every human being and before the beginning of an important exercise as the Kpledomi, it is important the town goes before the Lalue deity, to seek the blessings of God for the town and its people.
“We pray for the good of the land; for our fishermen, farmers, teachers, drivers, and any other professional to flourish in whatever they do,” he said.
“We also pray for those who are desperately seeking to have children to not only be blessed with them, but have the patience and wisdom to raise the children in the appropriate way,” he asserted.
According to him, what is done during the event is no different from what other religious bodies, especially the Christians do in their various places of worship.
Nii Ayiku Obleh IV also pleaded with natives of the town to actively participate in their festival since it is a true representation of their own identity.
The colourful ceremony was also witnessed by the traditional Queenmother Naa Osabu Abbey I, Asafoatsemeyi and Asafoanyemi, divisional chiefs from the traditional areas and members of the public.
Entertainment
Breaking News: Daddy Lumba is dead – Family announces
Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.
His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.
“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.
Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.
He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.
“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.
The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.
The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.
Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.
Entertainment
Edem’s debut album gets praise from Sarkodie
Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.
In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.
He said he was instantly impressed and knew Edem would have a serious impact on the music scene.
“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”
“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.
Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.
Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.
Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.
At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.
His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.
Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.
Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.
Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.
