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Patience Nyarko has allowed the devil to use her against Joe Mettle – Abeiku Santana

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On-air-personality Abeiku Santana has called out gospel songstress Patience Nyarko following her attempt to discredit fellow gospel musician Joe Mettle.

The “Wafom Kwan” hitmaker has been at the wrong side of Internet trolls and gospel music lovers after she went on radio to say Joe Mettle isn’t the reigning gospel musician in Ghana.

Her comment attracted a lot of insults and trolling on social media.

And to rub salt into the wound, Abeiku Santana has said Patience has allowed the devil to use her against Joe Mettle.

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He made this statement on his show on Okay FM on Tuesday, May 26, adding that there’s a ‘demonic agenda’ in this country against Joe Mettle.

“Patience Nyarko has allowed the devil to use her against Joe Mettle,” he said. “Have you seen a lion eating lion before? How can a Christian attack fellow Christian?”

He said the word of God used in the composition of songs doesn’t belong to anyone so Patience Nyarko’s argument is not valid.

“The bible doesn’t belong to anyone,” he said.

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Abeiku added that the demonic agenda against Joe Mettle won’t wash.

“This is purely a demonic spirit against minister Joe Mettle but it will not survive. That demonic agenda against Joe Mettle will not wash in this country.”

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Piesie Esther targets 3 top prizes at 2026 Telecel Music Awards

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• Piesie Esther
Piesie Esther

Ghanaian gospel dynamo, Piesie Esther, has expressed her readiness to take home the Gospel Artiste of the Year, Telecel Most Popular Song of the Year and Traditional Gospel Song of the Year awards at this year’s Telecel Ghana Music Awards.

The musician with many years of success under her belt in the gospel music industry has been nominated for three categories at this year’s Telecel Ghana Music Awards.

Piesie Esther was nominated for Gospel Artiste of the Year, Traditional Gospel Song of the Year, and Most Popular Song of the Year with her smash hit, Nyame Ye.

The award-winning musician believes that she had a wonderful year in 2025, which deserves recognition.

According to her, with over 36 shows, millions of streams enjoyed by her Nyame Ye song, coupled with numerous brand engagements, she was in a pole position to outwit other competitors.

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“Family, I need your love and support now more than ever! I’ve been nominated at the Telecel Ghana Music Awards and we’re going all out for the win! ,” she noted.

She called on all and sundry that “Every single vote counts, and I truly appreciate your continuous support. Let’s do this together.”

This year’s Telecel Ghana Music Awards is slated for May 9, 2026 at the Palms Convention Centre in Accra.

By Edem Mensah-Tsotorme

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Okyeame Kwame, others thrill hundreds at 50th birthday bash 

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Okyeame Kwame flanked by his children and chairman of the occasion cut the birthday cake
Okyeame Kwame flanked by his children and chairman of the occasion cut the birthday cake

Patrons at +233 Bar and Lounge had an unforgettable experience at the OK@50 All White Birthday Party last Saturday, April 18.

The Ghanaian music icon, Okyeame Kwame, turned 50 years last Friday, April 17, 2026.

Against this backdrop, the ‘Rap Dacta’ organised an All-White Party on Saturday to mark his 50th birthday to raise funds for the construction of a Paediatric Emergency Ward at the Manhyia Hospital.

This is a legacy project the musician is embarking on to mark his 50th birthday.

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As part of the concert, patrons were treated to scintillating live performances by Afriyie Wutah, Akwaboah, Sista Afia, Kuami Eugene, KiDi, Kwabena Kwabena, Ras Kuuku, Abiana, Adina, Abochi, Kweku Darlington, and Kunta Kinte of Bradez fame.

One of the country’s finest DJs, Andy Dosty, also had his turn to mesmerise the patrons with hits from the past to present, a moment which saw many patrons on their feet for most of the time.

Okyeame Kwame rocked the gathering with numerous hits from his repertoire, including his new song dubbed ‘Clap.’

He also expressed appreciation to those who has genuinely supported his career to impact the lives of others.

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 By Edem Mensah-Tsotorme

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