Entertainment
Okyeame Kwame details reasons GHAMRO is struggling
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Revered Ghanaian musician, Okyeame Kwame has detailed reasons the Ghana Music Right Organisation,(GHAMRO) is currently struggling to live up to expectations.
Okyeame Kwame made this submission in a recent discussion on United Television (UTV).
According to him, the first reason for GHAMRO’s unending crippling is that the artistes who are key stakeholders do not care.
According to him, with his experience over the years, artistes have failed to show interest in the affairs of GHAMRO, and this he said has affected the institution’s usefulness.
He said their lack of interest does not contribute to idea sharing and constructive criticism for improved GHAMRO.
Additionally, he said GHAMRO is ineffective in its administrative approach.
This ineffectiveness, he said has caused them the ability to put in place the right mechanism for effective collection and distribution of royalties.
Consequently, Okyeame Kwame added that most of the media houses do not log and pay the appropriate royalties expected of them. This, according to him, makes it difficult for the media to be exonerated from the current challenges bedevilling GHAMRO.
He said in advanced societies the media and other users of music pay royalties to enhance the work of the Collective Management Organisations (CMOs).
According to him, the media has a huge responsibility to educate people about paying royalties, and if the same institution is not paying, it would be difficult for them to preach to others about the need to pay.
Finally, he noted that the Attorney General’s Department with legal oversight responsibility does not care about the plight of GHAMRO, adding that it is why the needed reforms have not taken place for a seamless running of affairs.
“Attorney General has what it takes to call the media houses to order by ensuring all of them follow the law and log, and at the same time be stringent on GHAMRO to ensure they are rightly executing their function,” Okyeame Kwame said.
According to him, “Should the CMO falter, their licence could be revoked by so doing GHAMRO will sit up.”
Against this backdrop, Okyeame Kwame urged all key stakeholders to play their useful roles to ensure an effective collection and distribution of royalties to the right owners.
Okyeame Kwame has recently released a classic song dubbed “Sika” featuring multiple award-winning musician, Kofi Kinaata.
The song, which is making waves is available on all streaming platforms.
By Edem Mensah-Tsotorme
It was a night of intellect, eloquence and culture as contestants of the 2026 Miss Tourism Ghana took centre stage at the Coconut Grove Regency Hotel for the Debate and Culture Night last Saturday.
The event, which forms part of activities leading up to the grand finale, saw the ladies move beyond beauty to battle with ideas, facts and opinions on a topic critical to the tourism industry.
The contestants debated the topic: The Importance of Traditional and Digital Media on Promotion of Tourism.
For the debate, the contestants were grouped into two teams of four, each tasked with defending a side of the argument.
It was a fierce but respectful exchange. The team arguing for traditional media described it as the trust builder, emphasising its credibility, mass reach, and its power to tell in-depth, emotional stories through television documentaries, radio and newspaper features.
They argued that traditional media still shapes public opinion and influences policy decisions in the tourism sector.
On the other side, the proponents of digital media raised salient points about its unmatched advantages in the modern era.
They highlighted its global reach at low cost, its two-way interaction that allows tourists to share real experiences and reviews, its ability to target specific audiences, and its measurable results where clicks, views and bookings can be tracked.
After heated arguments and rebuttals, both teams arrived at a powerful consensus that drew applause from the audience.
They concluded that without traditional media, tourism promotion lacks credibility and depth, and without digital media, it lacks reach, engagement and sales.
The judges and patrons agreed that the debate underscored a crucial lesson for Ghana’s tourism drive: for a country blessed with rich cultural heritage, colourful festivals, historic forts and castles, diverse wildlife and pristine beaches, the winning formula lies in combining the storytelling power of traditional media with the viral power of digital media to attract both domestic and international tourists.
The night was not only about debate, as the contestants also dazzled in cultural wear, showcasing the beauty and diversity of Ghanaian culture.
By Edem Mensah-Tsotorme
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Veteran Ghanaian Actress Grace Nortey has reportedly passed away on Wednesday August 26, 2026.
According to reports she passed away at University of Ghana Medical Centre (UGMC) at age 89.
Born in 1937, she embarked on her acting journey in 1970, establishing herself as one of the pioneers of theatre and drama in Ghana.
Over four decades, Grace Nortey has been a consistent source of joy for Ghanaian TV audiences through her acting prowess.
A distinctive feature of Grace Nortey’s performances was her adept incorporation of the Ga language into her roles, adding an authentic touch to her portrayals.
Her acting journey kicked off with the 1985 release, “Nana Akoto,” and she went on to contribute to notable films such as “Sinking Sands,” “The Other Side of the Rich,” “Ties that Bind,” and “Beasts of No Nation,” where she shared the screen with Idris Elba, Fred Amugi, and Ama K. Abebrese.
She earned the Best Cameo Actress at the 2011 Ghana Movie Awards.
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You can now read the Ghanaian Times and The Spectator newspapers from the comfort of your device via TimesNewsPlus.
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