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FGM perpetrators devise new methods
The Director at the Department of Gender in the Upper West Region, Mrs Charity Banye has hinted that perpetrators of the heinous Female Genital Mutilation (FGM) have devised subtle ways of plying their profession on innocent babies without necessarily resorting to physical cut.
She explained that due to increased sensitisation against the practice, these perpetrators had silently introduced a process called “Hot Press” to get rid of the clitorises of new born babies even before they developed into adults.
“With this hot press, the person in charge applies shea butter to a hot object and massages the clitoris with the object regularly until it finally diminishes or disappears with time”, she explained.
Mrs Banye was speaking at Wa on Wednesday on the sidelines of a meeting to consolidate efforts aimed at ending FGM. The meeting which was at the instance of the United Nations Population Fund (UNFPA) was part of activities to mark the International Day of Zero Tolerance against FGM on the theme “Accelerating Investment to end Female Genital Mutilation”.
Mrs Banye explained that FGM was the partial or total removal of the clitoris from the genitals of a female mostly for cultural reasons aimed at purportedly making the girl chaste.
She said that due to increased education on the legal consequences of the act, perpetrators had shifted away from cutting the organ to using hot substances and said it behoved on stakeholders to also devise more strategic ways of dealing with the menace.
“The figures are looking gloomy globally because it has been estimated that about four million girls could suffer FGM annually and so it leaves much to be desired especially when we consider the quantum of effort we have devoted to fighting the menace in time past”, she lamented.
She explained that although the idea behind the practice was to make women chaste, it was interesting to note also that the same practice was making more men morally unsound as most men married to victims of FGM with low sexual libido, cheated on their wives.
The Regional Commander at the Domestic Violence and Victims Support Unit, DVVSU, Assistant Commissioner of Police (ASP) Adoingo Apiiya, also called for collaboration between the Ghana Health Service and the police to identify and arrest perpetrators of FGM.
“When a girl-child is brought to the health centre, the medical staff can help check whether the child had undergone FGM or not so that the parents of such child can immediately be picked up for questioning”, he said.
He believed such stringent measures would help end the menace which was considered constitutionally and globally a human rights violation.
The Programme Specialist/Head with the United Nations Population Fund (UNFPA) decentralised office at Tamale in the Northern Region, Alhaji Mammah Tenii appealed to the stakeholders to join hands and help end FGM in Ghana.
From Lydia Darlington Fordjour, Wa
The professor who spends his days exploring the intricacies of African languages found himself at the centre of a different kind of lesson on Friday, October 2, 2026. 
This time, there were no lecture notes, academic arguments or university classrooms. Instead, there was the weight of tradition, the rhythm of a community celebration and the solemnity of an oath at a royal palace.
Professor Ọbádélé Kambon, a full Professor of African Linguistics at the University of Ghana, was enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong in the Eastern Region in a ceremony that brought academia and traditional authority together.
For the professor, the occasion was more than a new title. It was a moment that connected his academic interests in African languages and indigenous knowledge with the living traditions of an Akan community.
The day’s events unfolded through a series of customary observances. Kambon was first taken to the compounds of the Ɔkyeamehene and Gyasehene, where the preparations for his installation continued.
Then came the application of hyire, the white kaolin powder associated with traditional rites.
With the customary proceedings underway, the new chief was lifted onto the shoulders of celebrants and carried along the main thoroughfare of Akuapem Mampong.
The procession transformed the streets into a public stage for a ceremony rooted in the community’s traditional institutions.
There was something striking about the image, a university professor, accustomed to the measured language of academic discourse, being carried through the town in a display of traditional recognition.
Yet the celebration was not complete with the procession.
A ram was sacrificed at the Mamponghene’s compound before Kambon was taken to the palace, to swear the oath associated with his new offices.
The ceremony brought him formally into his roles as Apagyahene and Sunsum Ɔsahene.
Beyond the colourful proceedings, the titles themselves carry layers of historical meaning.
Kambon in his research explores the historical connections between Apagya and Akan political and military organisation.
Accounts cited in his work linked Apagya to an asafo, or military company, while historical writing traces an Apagya stool in Asante to the reign of Opoku Ware I in the eighteenth century.
These historical associations offer a glimpse into the institutions that have shaped Akan society over generations, although they do not automatically define the precise responsibilities of the office in Akuapem Mampong.
Kambon’s own professional life reflects a similar interest in preserving and examining African knowledge.
His work encompasses Akan language structure, naming practices across the Black world, proverbs and indigenous intellectual traditions.
Through Abibitumi, the platform he founded, he also promotes language learning, scholarship and cultural engagement.
But tradition was only one part of the story that day.
When the formal ceremony gave way to a reception, the occasion expanded into a celebration of three milestones: Kambon’s enstoolment, his promotion to full professor and his daughter Ama’s admission to the University of Ghana.
The gathering therefore carried a personal significance that went beyond the honours bestowed on one man. 
It celebrated professional advancement, the continuation of family aspirations and a connection to cultural heritage.
For a father, seeing a daughter gain admission to the same university where he holds a distinguished academic position offered another reason to celebrate.
For the professor, the moment placed family achievement alongside his own professional and traditional milestones.
Kambon had already established a place in the traditional life of Akuapem Mampɔn through an earlier installation as Banmuhene Kyidɔmhene, recorded in 2017.
His latest enstoolment adds another chapter to that relationship.
In Akuapem Mampɔn, the day brought together the university, the palace and the family table in one celebration. And for Kambon, the journey from the lecture room to the traditional procession showed how scholarship, cultural responsibility and family achievement could converge in a single memorable occasion.
By Enoch Ntiamoah Siaw
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ASOHOM organises fundraising gala to protect Ghana’s water resources, support vulnerable communities
The Association of Spouses of Heads of Missions and International Organisations (ASOHOM) last Friday held the 2026 edition of its annual Charity Gala, at the Kempinski Hotel Gold Coast City, Accra under the theme ‘Woven Currents.’
It was attended by members of the diplomatic and international community, distinguished guests, corporate partners, and artists, friends of Ghana and supporters of ASOHOM’s charitable mission.
What was supposed to be a fundraiser turned into a perfect platform to celebrate friendship, culture and creativity.
Water was at the heart of this year’s message, said Sovanna Taliercio President, ASOHOM and Chairperson of its Fundraising Committee.
“Through art, music and live performance, the gala highlighted the vital connection between water, life and our shared future, while drawing attention to the importance of protecting Ghana’s water resources and supporting sustainable solutions for vulnerable communities,” a statement signed by Ms Taliercio said.
The evening featured a remarkable exhibition of Ghanaian contemporary art, live performances, an auction and raffle, alongside an elegant dinner and opportunities for guests to connect and support the cause.
She expressed gratitude to everyone who contributed to the success of the event— sponsors, artists, performers, partners, volunteers, ASOHOM members and, most importantly, every guest who chose to support its cause.
“Our fundraising efforts are ultimately about more than one evening. They are about transforming generosity into tangible support for communities in need. The funds raised through ASOHOM’s charitable initiatives will contribute to projects aligned with our humanitarian priorities and our commitment to supporting meaningful and sustainable development in Ghana,” she said.
She expressed pride at what ASOHOM represents: a community of women and men from across the diplomatic and international community who come together beyond their official roles to build bridges, strengthen partnerships and give back to the country we are privileged to call home.
She said the success of ‘Woven Currents’ was a testament to the power of collaboration, compassion and collective action and reminds that with togetherness, small contributions can create lasting impact.
By Spectator Reporter
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