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Akwasidae: The rich cultural pageantry of the Ashanti Kingdom
The rhythmic sounds of the fontomfrom drums echoed through the skies, announcing the arrival of the highly anticipated Akwasidae celebration. Held every six weeks, this cultural extravaganza is not just a festival; it is a regal display of the Ashanti Kingdom’s heritage, an embodiment of unity, and a moment to honour its proud lineage.
This year’s Akwasidae, held at the iconic Manhyia Palace in Kumasi, was a spectacle of grandeur. The sprawling courtyard was adorned with the colourful kente cloths of attendees, their intricate patterns shimmering in the sunlight. Chiefs and queen mothers arrived with their entourage with each chief’s regalia a dazzling reflection of power and tradition.
Appellations by court criers heralds the arrival of the Asantehene through formal announcements, ensuring the crowd remains attentive and also declarations, royal messages, blessings, and reminders about the cultural significance of the festival, reinforcing its importance to the Ashanti heritage.
The Asantehene, Otumfuo Osei Tutu II, the custodian of Ashanti culture, would finally sit majestically on the Golden Stool. He is draped in a vibrant kente cloth and crowned with gold ornaments, symbolised the continuity of a kingdom that has stood tall for centuries.
As he received homage from subjects, chiefs, and dignitaries, the crowd erupted in cheers, a testament to the deep reverence for their monarch.
The celebration was a mix of solemnity and jubilation. The Akom priests led prayers and libations, invoking the spirits of ancestors and asking for guidance and blessings. The rituals were punctuated by the enthralling performances of traditional drummers, dancers, and singers who narrated the kingdom’s history through music and movement.
Visitors from across the world flocked to Kumasi to witness this extraordinary event. “The energy here is electric,” remarked a tourist from Germany. “It’s not just a festival; it’s a living history lesson.”
Akwasidae is more than just a cultural celebration; it is also an occasion for reconciliation and unity. Families, separated by distance or disputes, use this sacred day to mend bonds and strengthen ties. Communities gather to deliberate on development issues, ensuring progress while remaining anchored in their heritage.
The festival is also a boon for tourism and commerce, where local artisans displayed their craftsmanship, beads, carvings, pottery, and textiles—while food vendors offered traditional delicacies like fufu with light soup, apapransa and a special traditional khebab.
As the sun set over Manhyia, the festivities showed no signs of waning. The drummers’ beats grew livelier, the dances more animated, and the crowd more jubilant. It was an emotional reminder that Akwasidae is not just a date on a calendar but a celebration of identity, resilience, and the unbreakable spirit of the Ashanti people.
Indeed, Akwasidae remains a shining example of Ghana’s cultural wealth and a proud beacon of African heritage. Whether you’re an Ashanti royal, a curious traveller, or simply an admirer of tradition, this festival offers an unforgettable experience that lingers in the heart long after the last drumbeat fades.
National Democratic Congress (NDC) National Executive Committee member and Volta River Authority (VRA) Board Member, Wonder Victor Kutor, has described calls for the resignation of Foreign Affairs Minister Samuel Okudzeto Ablakwa as premature and unjustified.
He argued that there was no evidence to establish that the minister had committed any wrongdoing to warrant such demands.
Speaking on Joy News in Accra on Wednesday, October 28, 2026, Mr Kutor questioned what had changed to justify the growing calls for the minister to step down.
He recalled that the Ranking Member on Parliament’s Foreign Affairs Committee, Samuel Abu Jinapor, had earlier indicated that the opposition was not accusing Mr Ablakwa of any wrongdoing.
Mr Kutor, therefore, challenged those demanding the minister’s resignation to provide fresh evidence to support their position.
“The call for the Minister to resign is premature, it is untenable. There is no evidence. I mean, what has he done wrong?” he questioned.
He added that documents, including boarding passes, airline receipts and flight manifests relating to the minister’s return journey, had been provided.
Mr Kutor expressed concern that the calls for Mr Ablakwa’s resignation could discourage young politicians from speaking out against corruption and advocating transparency.
According to him, politicians should not be targeted or maligned for demanding accountability, warning that such treatment could create the impression that speaking against corruption could later become a liability when one is appointed to public office.
He maintained that calling for accountability and transparency should not be used as grounds to target public officials without evidence of wrongdoing.
By: Jacob Aggrey
Ghana will host the Africa Festival of Arts, Culture and Creatives (AFESTAC) 2026 alongside Industrial Skills Week Africa (ISWA) 2026 in Accra from December 9 to 12, 2026.
On the back of these programmes, Minister of Tourism, Culture and Creative Arts, Abla Dzifa Gomashie, has called on corporate Ghana, the media and the general public to support the initiative through partnerships, sponsorships and active participation.
The events, supported by the African Union Development Agency (AUDA-NEPAD), will bring together stakeholders to celebrate Africa’s rich cultural heritage, strengthen the creative economy, promote industrial skills development and create employment opportunities for young people.
By Edem Mensah-Tsotorme
