Entertainment
Mavis Payne Releases ADEAKYE: A Song Born of Calling, Not Convenience
Gospel minister Mavis Payne has released a spirit-filled worship song of thanksgiving to God dubbed ADEAKYE.
With ADEAKYE, Mavis Payne tells her story of how merciful the Lord has been and encourages people to give thanks to God even for the little blessings.
Recorded live at Eden Experience 2025 and released on Friday, February 6, 2026, the song tells a story of her early discovery, consistent growth, and unshaken devotion.
She further describes the song as the sound of a woman who has walked with her gift, nurtured it, and ultimately offered it back to God.
According to Mavis Payne, music has never been a hobby but rather a calling, patiently unfolding since childhood.
ADEAKYE, the first track on the live recording, is currently streaming on YouTube Mavis Payne Ministries. It is the latest expression of a journey that began long before studios, stages, or spotlights, she intimated.
Growing up, Mavis Payne discovered her gift at a remarkably young age. She recalls being promoted to Class Two after nursery when a simple lunchtime moment changed everything.
As she sang casually, she said her class teacher stopped to listen. Impressed, the teacher led her before other classes and asked her to sing again this time, for an audience. That moment of affirmation lit a fire that has never gone out.
With that early encouragement, music became inseparable from her identity.
However, she expressed gratitude to family and friends who rallied around her talent, offering support that helped shape both her confidence and discipline.
Over the years, Mavis Payne sharpened her craft by backing several artistes and performing on notable platforms, including TV3’s Mentor, one of Ghana’s most influential music talent shows.
According to her, she has also worked with respected musicians such as Ackah Blay, experiences that broadened her musical range and professionalism.
Yet, despite these opportunities in the wider music industry, her focus has remained unwavering.
“My heart has always been to minister for God,” she says.
That focus has guided her path from Sunday school to the present day, shaping not just what she sings, but why she sings.
“ADEAKYE” emerges from this deep-rooted sense of purpose. The song is not merely a release; it is a continuation of a lifelong ministry one anchored in faith, gratitude, and obedience to God’s call.
ADEAKYE is a worship programme Mavis Payne herself is nurturing an intentional space for encounter, intimacy, and authentic praise. The live recording preserves the rawness of the moment: the unfiltered worship, the communal spirit, and the sacred atmosphere that cannot be replicated in a studio.
She noted that it is her declaration of hope, renewal, and God’s faithfulness in every situation, emphasising once you witness a new day, rest assured at hope is not lost.
“I thank God for my life and the gift of ministering through singing to win souls for Christ. And to everyone supporting my ministry, may God make His face shine upon you favourably,” she remarked.
BY TIMES REPORTER
Accra is set this weekend as Porials Pitch 2026 makes its highly anticipated return—an event that has rapidly evolved from a social media-driven concept into one of the country most influential retail gatherings.
Set for Saturday, April 18, 2026, at Accra Mall (Ghud Park), the festival will open its doors at 8:00 AM, drawing a mix of bargain hunters, young entrepreneurs, and lifestyle enthusiasts eager to experience what has become a defining moment on Accra’s commercial calendar.
Dulcie Boateng—entrepreneur, influencer, and CEO of Dulcie Porium—whose ability to mobilize audiences both online and offline continues to reshape the local retail landscape. Often dubbed Ghana’s “Snapchat Queen,” Boateng has leveraged her digital influence into tangible economic impact, with Porials Pitch standing as a prime example.
More Than a Market
While at first glance the event may appear to be a conventional pop-up market, Porials Pitch has steadily carved out a niche as a hybrid of commerce, culture, and community engagement. This year’s edition will feature 100 vendors, offering a curated blend of vintage pieces, emerging fashion brands, beauty products, and mainstream goods—many at discounted prices reaching up to 50 percent.
The Business Behind the Buzz
Perhaps the most telling indicator of the event’s momentum lies behind the scenes. Vendor slots for the 2026 edition reportedly sold out in just two minutes, generating approximately GH¢600,000—a figure that speaks not only to demand but also to the growing confidence in influencer-led commerce within Ghana.
A Reflection of a Changing Retail Culture
As Ghana’s urban consumer culture continues to evolve, events like Porials Pitch 2026 highlight a broader shift toward experience-driven retail—where shopping is no longer just transactional but social and immersive.
With free entry and an open invitation to the public, this weekend’s gathering is expected to draw significant crowds, reinforcing Accra’s reputation as a hub for innovation in commerce and youth-driven enterprise.
Whether viewed as a marketplace, a cultural event, or a case study in modern entrepreneurship, Porials Pitch 2026 is poised to once again capture the city’s attention—and its spending power.
Guinness Ghana has announced a new annual prize package for winners of the Album/EP of the Year category at the Telecel Ghana Music Awards (TGMA), as part of efforts to support the country’s music industry.
The company said beginning from the 27th edition of the awards, the winner of the category will receive a GH¢100,000 cash prize, funding support for a music video for their next project, and a curated album listening experience.
According to Guinness Ghana, the initiative is aimed at promoting creative excellence and contributing to the growth of Ghana’s music ecosystem.
Head of Media and Partnerships at Guinness Ghana, Yaa Amoah-Owusu, said the category represents the highest level of artistic work in the industry.
“The Album/EP of the Year category represents the pinnacle of artistic expression — body of work, storytelling, and sonic identity. This package is Guinness Ghana’s way of recognising excellence and investing in the future of the artist and the industry at large,” she stated.
She added that the company’s support goes beyond recognition on awards night, as it seeks to create long-term value for artistes and the wider creative sector.
Guinness Ghana, a long-time partner of the awards scheme, noted that the initiative will also help increase visibility and audience engagement for the winning artiste’s future projects.
The nominees for the Album/EP of the Year category include Black Sherif for Iron Boy, Stonebwoy for Torcher, Gyakie for After Midnight, Medikal for Disturbation II, Wendy Shay for Ready, and Kweku Smoke for Walk With Me.
Head of Public Events and Communications at Charterhouse, Robert Klah, welcomed the initiative, describing it as timely support for the music industry.
“This is an important intervention from Guinness Ghana. It aligns with our commitment to celebrate and elevate Ghanaian music, while also creating tangible support for artistes,” he said.
He added that the move highlights the importance of albums and EPs as lasting creative works.
The announcement comes ahead of the 27th Telecel Ghana Music Awards, organised by Charterhouse, with Telecel as headline sponsor, media partnership from TV3, and support from Guinness Ghana.
Guinness Ghana Breweries PLC is one of the country’s leading beverage companies and continues to support arts, culture, and community development in Ghana.
By: Jacob Aggrey
