Entertainment
10th Edition : Tehillah Experience slated for August 13
Ghanaian gospel music dynamo, Oheemaa Mercy has launched the 10th edition of Tehillah Experience introducing an exciting line-up of top-brass gospel ministers.
The event slated for August 13, will take place at the Oil Dome of the Royal House Chapel in Accra 4pm.
The 10th edition of Tehillah Experience is themed; Fire and Fragrance.
Speaking at the launch which took place at Movenpick Ambassador Hotel on Thursday July 6, Ohemaa Mercy expressed gratitude to God for guidance and grace and consistency for the past 10 years since the inception of the programme.
She said the journey has not been easy, very extremely challenging but through the mercy of God and the people who brought her way, she triumphed together with her team.
According to Ohemaa Mercy, her prayer for the next years is for the Lord to grant them all the strength needed to push the mandate.
Introducing the other ministers who will join her to lead the patrons into the throne of worship, Ohemaa Mercy mentioned, Cece Twum, Uncle Ato, Pastor Joe Beechem, Diana Hamilton and Efe Grace.
Also, SK Frimpong, Kofi Owusu Peprah, Mr. M & Revelation, Rama Antwi, and Michael Manhendere will be in their element on the day.
Ohemaa Mercy thanked stakeholders including the media for selfless support since the inception of Tehillah Experience.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
