Entertainment
Spanish Embassy presents Flamenco Show“A Tierra” by Sara Neito
The world class Flamenco Show is making its first stop in Ghana at the National Theatre in Accra on Thursday, December 16, 2021, and second stop at the Manhyia Palace (Nana Afia Kobi Park) in Kumasi on December 17,2021.
The show dubbed “A Tierra” by Sara Nieto is brought into the country by the Embassy of Spain in Accra in partnership with the Ministry of Tourism, Arts and Culture and the Manhyia Palace and powered by Globe Productions.
The one-hour twenty minutes show is strictly by invitation and would take off with a cocktail at 6:00 p.m, prompt with a full enforcement of the COVID-19 protocols.
The Flamenco Show is one of the cultural expressions of Spain and it is recognised as a World Héritage by UNESCO.
It combines dancing, singing and music in a very particular and powerful way.
The objective of the Flamenco Show is to connect the Spanish and Ghanaians through arts, culture and sports.
The event which would be held in Accra and Kumasi is a reflection of the bilateral partnership between Spain and Ghana.
It is expected to push forward cultural exchange and cooperation in Ghana.
As the world gradually recovers from the global pandemic the Spanish Embassy deems it fit to contribute to the revitalisation of the cultural life and arts industry in Ghana, particularly in Accra and Kumasi.
On December 16 those in Accra will have the opportunity to experience “A Tierra” which is a breathtaking flamenco dance show led by dancers Sara Nieto and her team.
Thespectacular show connects people with the centre of the earth, illustrated with the force of a volcano, the claw of a lion, the beauty of a flower, the fluidity of a river and the brilliance of the sun and the moon.
According to dancer Sara Nieto “flamenco is earth transformed into art. A tierra dance, song or play allows you to connect with yourself in the centre of the earth, nature and the environment.”
“A tierra is a walk through the senses and the emotions where we travel from the oldest flamenco rhythms to the most cosmopolitan and modern, interpreted with the force of a volcano,” she explained.
The non-ticketed event has sponsorship and participation of many Spanish and Ghanaian companies, as well as the Spain-Ghana Chamber of Commerce and the Agencia Espanola de Cooperacion Internacional para el Desarrollo (aecid)
The sponsors are,West Africa and Gulf company Ltd, GB Foods Africa, Santol Energy, Miniplast, Elecnor, Comet Ghana, Kempinski Gold Coast Hotel, Think Media, BDDG-Accra Water Desalination.
Other supporting partners are, Greenviews, Prestige Trade, IPMC, Yamco Manufacturing Company Ltd, Universal motors limited, Cali Trust Travel and Tour Ltd and Benmarine Offshore Services.
Twelve years after it first swept across Ghana’s airwaves, Edem’s classic hit Over Again has staged an extraordinary comeback, re-emerging as one of the most dominant songs in the country and capturing the attention of a new generation of listeners.
Originally released over a decade ago, the record has returned to national prominence, not on the strength of nostalgia alone, but through renewed relevance in today’s digital music ecosystem.
Over Again is currently charting in the Top 100 on Spotify, while also recording strong performances across other major streaming platforms.
The resurgence has been driven largely by social media, where the song has gone viral on TikTok, Instagram, and other platforms. Gen-Z creators and millennials are using the track to soundtrack emotionally driven content—ranging from short skits to deeply personal storytelling videos.
As a result, the song has become a cultural reference point for themes of love, betrayal, heartbreak, and emotional resilience.
The trend has grown so significant that top-tier influencers and several high-profile digital creators have joined in, using Over Again as background music for their videos and further amplifying its reach across the country.
Speaking on the song’s resurgence, Edem expressed excitement about its renewed impact.
“When I created Over Again, I knew the impact it had. I knew how strong the song was back then,” he said. “Seeing it connect again after all these years, especially with a new generation, is very exciting.”
The rapper encouraged his fan base, popularly known as the Go-Getters, to continue engaging with the song and sharing their personal stories through it.
At the core of Over Again is a storyline that remains strikingly relatable. The song explores betrayal among friends, romantic relationships disrupted by close acquaintances, and the emotional aftermath of loving and losing.
These themes have resonated strongly with audiences, many of whom say the narrative still mirrors real-life experiences today.
Consequently, the song is now widely used to tell stories such as losing a partner to a friend, navigating heartbreak after deep emotional investment, and reclaiming personal strength after betrayal.
Interestingly, the trend also includes users who position themselves as the “other person” in such scenarios, reframing the song around accountability, growth, or redemption.
The renewed success of Over Again underscores how music consumption has evolved. In the digital era, a song’s lifespan is no longer confined to its release period.
Social media and streaming platforms have created a level playing field where timeless music can resurface, cross generational boundaries, and regain commercial and cultural relevance.
With Over Again re-entering the charts, ranking among Spotify’s Top 100, and dominating social media trends, Edem’s classic stands as proof that great music does not expire.
Twelve years on, Over Again has not only returned—it is once again at the center of Ghana’s musical conversation.
Listen to the song below
https://youtu.be/od4a2BXoJ4g?si=JNhikrbAV56KuUeO
Veteran Ghanaian musician Ebenezer Asare, popularly known as Slim Buster has cautioned emerging artistes not to accept financial assistance from women.
This he said may lead to emotional and personal obligations that could affect an artiste’s freedom and career decisions.
Speaking in an interview in Accra on Monday, the highlife artiste mentioned that many young musicians without financial backing tend to rely on women for support, a situation he believes could cause future complications.
According to him, accepting financial assistance from women may lead to emotional and personal obligations that could affect an artiste’s freedom and career decisions.
“Most upcoming artistes don’t have money. They depend on some women. When a woman helps you, remember that they will come back for their money,” he said.
Slim Buster advised young talents to be cautious and mindful of the commitments that come with such support.
The musician further warned that abandoning or neglecting these women after achieving success could lead to serious repercussions.
“The very moment you decide to move away from them or neglect them because you’ve made it, they will come for you,” Slim Buster added.
By Spectator Reporter
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