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 Ohemaa Woyeje rallies support for Kwadee

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Okomfo Kwadee
Okomfo Kwadee

 Media personality Ohe­maa Woyeje has called on industry players to extend a helping hand to hiplife artist Jerry Anaabaa, popularly known as Okomfour Kwadee in his deteriorating condition.

Scores of individuals have cited neglect by industry stakeholders and listed various factors they believe were re­sponsible for the current state of the legendary musician.

But sharing her opinion on the development, Ohemaa Woyeje has urged individuals to stop playing the blame game, emphasising that the focus should rather be on supporting the musician in this difficult time.

“Enough of all the rumours and allegations surround­ing the health of Okomfour Kwadee. The only interest is to move Kwadee from his current state to a better one, so he can be better, even if he doesn’t want to sing anymore after he is healed. All the blame games won’t help. Gha­naians are fond of such things, and it is not right,” she said in a viral video.

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She further pointed out that constant accusations from people could discourage potential supporters from providing medical help.

“How do you even know if the allegations you’re making are true? What some of you are doing could discourage others from stepping in to help him. And, if he dies, what do we gain? Enough of the allegations. Let’s come together and support him so he can become the Kwadee we once knew,” she added.

Kwadee, known for his significant contributions to Ghanaian music, has become a subject of concern due to the deterioration of his mental health in recent years.

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Mavis Payne Releases ADEAKYE: A Song Born of Calling, Not Convenience

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Gospel minister Mavis Payne has released a spirit-filled worship song of thanksgiving to God dubbed ADEAKYE.

With ADEAKYE, Mavis Payne tells her story of how merciful the Lord has been and encourages people to give thanks to God even for the little blessings.

Recorded live at Eden Experience 2025 and released on Friday, February 6, 2026, the song tells a story of her early discovery, consistent growth, and unshaken devotion.

She further describes the song as the sound of a woman who has walked with her gift, nurtured it, and ultimately offered it back to God.
According to Mavis Payne, music has never been a hobby but rather a calling, patiently unfolding since childhood.

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ADEAKYE, the first track on the live recording, is currently streaming on YouTube Mavis Payne Ministries. It is the latest expression of a journey that began long before studios, stages, or spotlights, she intimated.

Growing up, Mavis Payne discovered her gift at a remarkably young age. She recalls being promoted to Class Two after nursery when a simple lunchtime moment changed everything.

As she sang casually, she said her class teacher stopped to listen. Impressed, the teacher led her before other classes and asked her to sing again this time, for an audience. That moment of affirmation lit a fire that has never gone out.
With that early encouragement, music became inseparable from her identity.

However, she expressed gratitude to family and friends who rallied around her talent, offering support that helped shape both her confidence and discipline.

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Over the years, Mavis Payne sharpened her craft by backing several artistes and performing on notable platforms, including TV3’s Mentor, one of Ghana’s most influential music talent shows.

According to her, she has also worked with respected musicians such as Ackah Blay, experiences that broadened her musical range and professionalism.
Yet, despite these opportunities in the wider music industry, her focus has remained unwavering.

“My heart has always been to minister for God,” she says.
That focus has guided her path from Sunday school to the present day, shaping not just what she sings, but why she sings.

“ADEAKYE” emerges from this deep-rooted sense of purpose. The song is not merely a release; it is a continuation of a lifelong ministry one anchored in faith, gratitude, and obedience to God’s call.

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ADEAKYE is a worship programme Mavis Payne herself is nurturing an intentional space for encounter, intimacy, and authentic praise. The live recording preserves the rawness of the moment: the unfiltered worship, the communal spirit, and the sacred atmosphere that cannot be replicated in a studio.

She noted that it is her declaration of hope, renewal, and God’s faithfulness in every situation, emphasising once you witness a new day, rest assured at hope is not lost.

“I thank God for my life and the gift of ministering through singing to win souls for Christ. And to everyone supporting my ministry, may God make His face shine upon you favourably,” she remarked.

BY TIMES REPORTER

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Victoria releases ‘My Passion’ EP

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The sensational artiste , Victoria

GHANAIAN UK-based gospel musician and songwriter, Victoria Ivy Obeng has finally released the much-anticipated Extended Play (EP), titled My Passion.

The EP is made up of five spirit-filled songs: ‘Take me deeper’, ‘Psalms 34’, ‘I surrender’, ‘I love you more than anything’ and ‘You Alone’.

The EP was birthed from a deep hunger for God’s presence and an unwavering love for Jesus Christ. Rooted in scripture and inspired by a life of worship, this project is a response to the call for total surrender.

“To love the Lord with all my heart, soul, mind and strength (Mark 12:30), songs like ‘Take me deeper’ and ‘I surrender’ express longing for intimacy with God and a willingness to yield completely to His will,” she revealed.

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Ivy Obeng added, “also ‘You Alone’ and ‘I love you more than anything’ declare Christ as the centre of all devotions, while ‘Psalms 34’ reflects a lifestyle of continuous praise.”

She started singing at the age of eight, and with the determination to get to the top, Ivy Obeng has touched and impacted many lives with her God-given talent through ministrations at different events.

The gospel minister began writing and recording her songs in 2020 during the COVID-19 lockdown. She is eager to impact lives and change destinies for the better through her awe-inspiring music.

The EP is available on all digital music stores worldwide.

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By Edem Mensah-Tsotorme

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