Entertainment
Ohemaa Mercy’s Tehillah Experience outfit was priestly regalia, not costume – Management clarifies
The management of renowned gospel musician Ohemaa Mercy has officially addressed public commentary surrounding her ceremonial outfit at the just-ended Tehillah Experience 2026.
The 13th edition of the annual worship concert, themed The Altar of Fire, was held at the Oil Dome, Royalhouse Chapel last Sunday and drew thousands of worshippers. Following the event, discussions on social media focused heavily on the distinctive costume worn by the host to lead worship.
In an official statement titled “The Message Behind The Mantle: Decoding Ohemaa Mercy’s Altar Entry at Tehillah Experience 2026,” management explained that the outfit was deeply symbolic and biblically inspired.
“At this year’s Tehillah Experience, Ohemaa Mercy did not simply mount the stage, she made an altar entry. Long before she lifted the microphone, her attire had already delivered a sermon,” the statement noted.
Management broke down the attire into four key elements:
The Cap, representing the Priestly Mitre, mirrors the Miznefet worn by the High Priest as instructed in Exodus 28:36-38, which bears the inscription “Holiness to the Lord.”
According to the team, it was not a fashion statement but a declaration of priesthood, referencing Leviticus 6:13. The cap also symbolises covering and submission to divine authority.
The Cross carried ahead with white linen was described as the heart of the Christian faith, signifying that Christ went ahead and that access to the altar is by His righteousness and resurrection, not human strength.
Citing John 19:17, Galatians 2:20 and Colossians 1:20, management said the cross had to go first to make peace for God’s presence to enter.
The Garment of white, gold and crimson reflects three biblical truths: white for purity and consecration (Revelation 19:8), gold for glory and royal priesthood (1 Peter 2:9), and crimson for sacrifice (Romans 12:1).
The Entry itself, management added, was an intentional procession likened to Esther approaching the royal courts (Esther 5:1-2) and the priest entering the Holy Place. With horns sounding and intercessory prayers, it mirrored 2 Chronicles 5:13-14, when the glory of the Lord filled the temple.
“On that night, the Oil Dome ceased to be an auditorium of fans awaiting a concert. It became a tabernacle. And her entry was a prophetic reminder that God still answers by fire when the altar is kept burning,” the statement said.
Management concluded that what was worn was not a costume but “Priestly Regalia for an Altar Assignment” and thanked all who attended and supported the mandate.
By Edem Mensah-Tsotorme
Ghanaian musician Sparqlyn is set to release another big hit.
His latest release, ‘Rosina,’ features Germany-based Ghanaian musician, video director, and sound engineer TEENO (known privately as Eric Kwame Tamakloe).
TEENO’s project ‘Signs’ was recently accepted by the Grammys for official consideration in the ‘Album of the Year’ category. Now, ‘Rosina’ is making serious waves across the airwaves.
Coming shortly after the impressive reception to his previous single ‘Fameko,’ ‘Rosina’ is already receiving strong attention from music lovers and radio listeners.
This new song carries an infectious Afrobeats and Hiplife feel while maintaining the romantic direction that characterised ‘Fameko,’ Sparqlyn’s 2026 Highlife collaboration with Ziya.
‘Fameko’ marked an important moment in Sparqlyn’s musical journey, with the love-themed highlife record receiving positive reactions from music lovers and media platforms following its June 2026 release.
The song became one of the highlights of his 2026 output, ranking high on multiple charts.
‘Fameko’ has also bagged Sparqlyn two top nominations: “Highlife Song of the Year” and “Artist of the Year” at the 2026 Stars Awards.
The combination of a romantic storyline, Afrobeats rhythm, and Hiplife influence give the song a sound that fits comfortably into the current Ghanaian music landscape.
The timing of the song’s release could also prove significant for the award-winning artiste. Sparqlyn recently secured two nominations at the 2026 Ghana Youth Empowerment Awards, where he is in contention for Youth Empowerment Advocate of the Year and Outstanding Youth Personality of the Year.
With ‘Fameko’ having established strong momentum earlier in the year and ‘Rosina’ now beginning to enjoy significant airplay, Sparqlyn appears to be ending another eventful chapter of his musical career on a high note.
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Ghanaian highlife and Afrobeats singer Kuami Eugene Marfo known in showbiz circles as Kuami Eugene has urged fellow musicians and entertainers to use their influence on social media and other platforms to champion causes that positively impact society.
The award-winning artiste made the call during a UNICEF Ghana birth registration advocacy campaign in Bepoase in the Ayensuano District of the Eastern Region, where he joined officials from UNICEF Ghana and the Births and Deaths Registry to raise awareness about the importance of registering children at birth.
He explained that artistes wield significant influence and should leverage platforms such as TikTok, Facebook and Instagram to amplify important social initiatives and encourage behavioural change.
The musician, who has partnered UNICEF Ghana on several child-focused campaigns, said he had a special interest in issues affecting children and was committed to supporting efforts that improved their welfare and future opportunities.
He noted that birth registration was critical because it established a child’s legal identity and ensured recognition as a Ghanaian citizen.
The advocacy drive forms part of UNICEF Ghana’s efforts to improve birth registration rates across the country through community engagements, public education and collaboration with traditional authorities.
The musician said he remained focused on creating quality music while continuing to support social causes that contribute to national development, particularly initiatives aimed at improving the lives of children. –GNA
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