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Noyam’s ‘Dede’ production highlights migration issues through dance

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The Noyam African Dance Institute, in partnership with the Culture for Sustainable and Inclusive Peace (CUSP) Network Plus, and the Center for Migration Studies, Legon, has conducted artistic research activities in Ghana to promote conflict transformation and sustainable peacebuilding, as part of CUSP Network Plus Strand 3.

Noyam organised three arts initiatives aligned with the project’s goals of utilising creative practices for positive social change.

On Saturday, September 9, 2023, Noyam put together an amazing stage production dubbed ‘Dede’ at their theatre in Dodowa. The production told the story of how a young lady, Dede lost her dad through conflict, travelled out of her community in search of answers to stop the conflict in her homeland.

Noyam put together the contemporary dance theatre piece ‘Dede’ in collaboration with partners at the University of Glasgow and the University of Ghana’s Centre for Migration Studies. Dede also highlights the stories of migration and displacement through music, dance and drama.

The ‘Dede’ production saw a massive turnout of dance and art enthusiasts from all walks of life coming together to watch this great show.   

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As part of the CUSP activities, Noyam held a youth dance competition at Noyam Theatre featuring groups creating dances around the theme ‘Move for Peace’. The event gave young people a platform to express their visions for nonviolence, unity and social harmony through dance. Groups incorporated varied dance styles from hip hop to traditional African along with spoken word, music and theatre. 

The themes addressed in the pieces included ending tribalism and police brutality, the power of women, and solidarity. The competition fostered positive connections between youth across different communities in Accra and provided them agency in advocating for social change through artistic expression. A panel of local dance artists and peace practitioners evaluated the groups, with prizes going to the top three crews.

Noyam dancers also staged a powerful performance in Ahenkra village in the Eastern Region promoting messages of unity, resilience, and hope through a blend of traditional and contemporary African dance. 

The event brought together Noyam’s professional dance troupe with community members in Ahenkra to showcase regionally specific dances from Ghana alongside modern styles. The fluid mix of genres reflected the continuous evolution of Ghanaian cultural heritage.

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Speaking after the project, Nii-Tete Yartey, a renowned Ghanaian choreographer and artistic director at the Noyam African Dance Institute, stated that a lot of research went into this production to ensure that their audience around the world would understand the essence of the production and go home with the core message of unity, resilience, and hope through a blend of traditional and contemporary African dance.

“Over the years, Noyam has taken it upon itself to preach on several aspects of having a better society through traditional and contemporary African dance. We are thrilled to contribute Noyam’s artistic voice to the wider conversation within CUSP Network Plus. These activities enabled our artistic team to practicalize the role of arts in peacebuilding and share our cultural knowledge,” Nii-Tete Yartey said.

Nii Ogbamey Tetteh, Communications Manager at Noyam African Dance Institute disclosed that it is easy to spread messages about illegal migration, peace and unity through traditional and contemporary African dance productions.

 “What Noyam has been doing over the years is to preach on areas that constitute a better universe. The ‘Dede’ production focus on unity, resilience, migration and hope. These key things have become very important in the world in recent times. Together with our partners, we at Noyam will continue to deliver high-level productions and play our part to ensure that the world becomes a better place for all of us,” Nii Ogbamey Tetteh said.  

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Kofi Boadi, a patron from the ‘Dede’ production commended Noyam African Dance Institute and all its partners for putting together the piece.

“This performance showed our community coming together through dance and music. Despite our difficulties, this connected us and lifted our spirits,” Mr Boadi noted.

About Noyam African Dance Institute

In addition to providing Ghanaian artists a platform to develop their craft, Noyam is steadfast in its drive to collaborate with academic and artistic institutions locally and abroad that are invested in positive social change.

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The Institute aims to bridge gaps between scholars and creative practitioners to advance the role of arts in building peace. Noyam’s partnership in CUSP Network Plus exemplifies its commitment to working across disciplines and borders to produce knowledge and artistic works that support sustainable and ethical approaches to conflict transformation.

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Miss Tourism Ghana contestants battle out on Debate and Culture Night 

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Miss Tourism queens displaying thier culture

It was a night of intellect, eloquence and culture as contestants of the 2026 Miss Tourism Ghana took centre stage at the Coconut Grove Regency Hotel for the Debate and Culture Night last Saturday.

The event, which forms part of activities leading up to the grand finale, saw the ladies move beyond beauty to battle with ideas, facts and opinions on a topic critical to the tourism industry.

The contestants debated the topic: The Importance of Traditional and Digital Media on Promotion of Tourism.

For the debate, the contestants were grouped into two teams of four, each tasked with defending a side of the argument.

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It was a fierce but respectful exchange. The team arguing for traditional media described it as the trust builder, emphasising its credibility, mass reach, and its power to tell in-depth, emotional stories through television documentaries, radio and newspaper features. 

They argued that traditional media still shapes public opinion and influences policy decisions in the tourism sector.

On the other side, the proponents of digital media raised salient points about its unmatched advantages in the modern era.

 They highlighted its global reach at low cost, its two-way interaction that allows tourists to share real experiences and reviews, its ability to target specific audiences, and its measurable results where clicks, views and bookings can be tracked.

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After heated arguments and rebuttals, both teams arrived at a powerful consensus that drew applause from the audience.

They concluded that without traditional media, tourism promotion lacks credibility and depth, and without digital media, it lacks reach, engagement and sales.

The judges and patrons agreed that the debate underscored a crucial lesson for Ghana’s tourism drive: for a country blessed with rich cultural heritage, colourful festivals, historic forts and castles, diverse wildlife and pristine beaches, the winning formula lies in combining the storytelling power of traditional media with the viral power of digital media to attract both domestic and international tourists.

The night was not only about debate, as the contestants also dazzled in cultural wear, showcasing the beauty and diversity of Ghanaian culture.

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By Edem Mensah-Tsotorme 

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Grace Nortey dies at age 89

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The late Grace Nortey

Veteran Ghanaian Actress Grace Nortey has reportedly passed away on Wednesday August 26, 2026.

According to reports she passed away at University of Ghana Medical Centre (UGMC) at age 89.

Born in 1937, she embarked on her acting journey in 1970, establishing herself as one of the pioneers of theatre and drama in Ghana.

Over four decades, Grace Nortey has been a consistent source of joy for Ghanaian TV audiences through her acting prowess.

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A distinctive feature of Grace Nortey’s performances was her adept incorporation of the Ga language into her roles, adding an authentic touch to her portrayals.

Her acting journey kicked off with the 1985 release, “Nana Akoto,” and she went on to contribute to notable films such as “Sinking Sands,” “The Other Side of the Rich,” “Ties that Bind,” and “Beasts of No Nation,” where she shared the screen with Idris Elba, Fred Amugi, and Ama K. Abebrese.

She earned the Best Cameo Actress at the 2011 Ghana Movie Awards.

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You can now read the Ghanaian Times and The Spectator newspapers from the comfort of your device via TimesNewsPlus.

Join our WhatsApp Channel: https://whatsapp.com/channel/0029VbBElzjInlqHhl1aTU27

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