News
Huawei board members resign over silence on Ukraine
Two non-executive directors of Huawei UK have resigned over the company’s stance on the conflict in Ukraine.
The BBC understands Sir Andrew Cahn and Sir Ken Olisa felt the firm’s failure to quickly condemn the Russian invasion had made their positions untenable.
Huawei UK thanked both men for their “invaluable guidance”.
Asked by BBC News if Huawei would continue to do business with Russia, the company said: “We are not commenting any further.”
Strong support
The BBC understands both directors felt Huawei should have quickly condemned the invasion of Ukraine by Russia.
It is believed that both felt that, although this was a complex situation for the company, the firm’s stance was at odds with their expectations as UK board directors.
A Huawei official said: “Sir Andrew Cahn and Sir Ken Olisa brought considerable experience from the world of business and technology to Huawei UK’s board of directors when they were appointed, in 2015 and 2018 respectively.
“Both have shown strong support for Huawei’s commitment to the UK and have helped uphold the highest standards of corporate governance.”
‘Devastating’ action
News of the resignations comes as the US warned Chinese companies not to breach restrictions on technology exports to Russia.
China abstained on a United Nations resolution condemning Russia’s invasion but its government has also recently expressed “regret” about the military action, saying it was extremely concerned about the harm to civilians.
Commerce Secretary Gina Raimondo told the New York Times Washington could take “devastating” action against Chinese companies that defied Russian sanctions, prohibiting the use of US equipment and software needed to make their products.
Russia “is certainly going to be courting other countries to do an end run around our sanctions and export controls”, Ms Raimondo told the newspaper.
The threats echo measures taken against Huawei in 2020, when Donald Trump’s administration added the company to its “entity list”, which bans it from acquiring technology from US companies without government approval.
The US government said at the time it believed Huawei posed a national security threat, something the company strongly denied.
But the restrictions hit the company’s earnings hard and deprived it of access to key technologies.
Source: bbc
The Government of the Republic of Korea has presented a second consignment of equipment to support the study, maintenance and preservation of Ghana’s historic forts and castles under the Korea-Ghana ICT Climate Project.
At the handover ceremony in Accra, today, Abla Dzifa Gomashie, Minister for Tourism, Culture and Creative Arts, expressed appreciation for Korea’s continued support, including its US$4.5 million intervention towards heritage preservation, technical assistance and capacity building.
The equipment will strengthen the Ghana Museums and Monuments Board’s efforts to address the impact of climate change on Ghana’s historic heritage infrastructure.
The Ministry noted that they remain committed to working with international partners to safeguard Ghana’s priceless heritage for present and future generations.
By Edem Mensah-Tsotorme
The Association of Spouses of Heads of Diplomatic Missions and International Organizations (ASOHOM) brought art, diplomacy and philanthropy together for its glamorous black-tie charity gala, centred on the urgent theme of sustainable water futures.
At the heart of the evening was ‘Woven Currents’, a thought-provoking commissioned exhibition co-curated by Fang W. Linulf of LogonART and Fadila Njoya from Gallery Sankofa, showcasing five outstanding Ghanaian artists confronting water pollution, coastal decay, ancestral memory and ecological regeneration.
Housed within a versatile multi-function hall, far from a conventional white-cube gallery, the venue underwent a dramatic creative transformation.
Drawing on her professional architectural background, curator Fang W. Linulf reimagined the standard event space into a vivid, immersive exhibition environment through bold spatial storytelling.
Monumental art installations encircled gala guests, breaking traditional viewing boundaries and forging a remarkably intimate, visceral connection between viewers and the artworks.
Guided by a powerful curatorial vision, ‘Woven Currents’ positioned art as a call to action: to honour, safeguard and collectively steward Africa’s precious shared water heritage.
Each artwork responded directly to Ghana’s pressing aquatic realities.
Emmanuel Aggrey Tieku’s towering textile installation breathed new life into discarded local second-hand ‘Oburoni Wawu’ garments, delivering a searing commentary on waste colonialism and textile-fuelled ocean contamination.
Patrick Tagoe Turkson crafted intricate assemblages from beach-salvaged flip flops and abandoned ghost fishing nets, weaving Asafo flag and Kente cloth iconography into marine debris to unite indigenous cultural wisdom with modern-day ecological crisis.
Sena Burgundy presented introspective blue-hued figurative canvases exploring inner reflection set against shifting environmental realities.
Nana Frimpong Oduro exhibited dream-like surreal photography rooted in Akan cosmology, capturing ancestral echoes and human resilience within Ghana’s coastal waters.
Evans Torngmortey Akornor built evocative threshold-themed mixed media works from fishing shore remnants, unpacking visible and unseen layers of shoreline history.
Attendees also experienced the poignant live dance performance ‘Cry of the River’ by Vivie’s Dance.
The night featured a high-energy live auction of five signature exhibition artworks alongside a raffle draw. Every penny raised went toward vital humanitarian support for vulnerable communities across Ghana.
Diplomatic delegates, collectors, artists and cultural leaders filled the room.
The curatorial team stressed that ‘Woven Currents’ was never mere gala decoration.
It delivered grounded, locally-centred artistic narratives that enriched formal policy conversations on water conservation, repurposing a diplomatic social gathering into a dynamic public platform for ecological dialogue and meaningful giving.
By Edem Mensah-Tsotorme
