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Damba Festival, a living tradition across northern Ghana

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Kumbumgu Na and elders seated during the festival

Damba, one of Northern Ghana’s major traditional festivals, has once again brought chiefs, elders, families, young people and visitors together in a celebration of culture and tradition.

This year, the celebrations were observed across several communities in Yendi, Bimbilla, Kumbungu and Lamashegu and Tamale.

Dislplay of culture in their smoke outfit

Although each community had its own character and way of celebrating, traditional music, dancing, colourful regalia and community participation remained common features.

In Yendi, the traditional capital of Dagbon, this year’s Damba was marked by the absence of the late Ya-Na Abukari Mahama II, who passed away earlier this year.

It was the first Damba in seven years to be celebrated in Yendi without the late King.

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His absence was felt at the Gbewaa Palace, where the festival had been celebrated under his leadership in previous years.

The late Ya-Na’s eldest son, Kampakuya-Naa Yakubu Abukari, Regent of Dagbon, led the traditional observance during the transition period.

A visitor joins traditional celebrants during the Damba festivities in Northern Ghana

Despite the mixed emotions among celebrants, the sound of drums and traditional musical instruments soon drew crowds to the palace.

Within a short time, the palace grounds were filled with chiefs, elders, families, young people and children.

Children took part in traditional performances as drummers and musicians provided the rhythm for the celebration.

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One of the notable scenes was the appearance of the “truck-pusher chief,” who arrived on a decorated truck accompanied by young followers.

His appearance became one of the memorable moments of the celebration and demonstrated the community character of the festival.

In Bimbilla, the traditional capital of the Nanung Traditional Area, Damba brought traditional authorities, elders, families and young people together.

The celebration was led by the Regent of the Nanumba Kingdom, Nyalinbolgu Naa Yakubu Andani Dasana.

The activities combined traditional celebration with community events, including a health walk and rice picking.

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Traditional clothing, music and dancing formed part of the celebrations as different generations participated.

Some youth jubilating

Children watched and joined activities, while young people used mobile phones and cameras to document the festival.

In Kumbungu, the Kumbungu Na, Naa Yab Kumbung Naa Yiri II, led the community’s Damba celebration.

Traditional clothing, drumming, dancing and communal gatherings formed part of the activities.

Elders and traditional authorities provided a link to the customs of the past, while young people and children participated in the celebrations.

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For many residents, Damba remains an important occasion to reconnect with their cultural heritage and pass traditions on to the next generation.

In Lamashegu, within the Tamale metropolis, Damba was celebrated under the leadership of Lamashe-Naa Alhaji Mahama Iddrisu.

The celebration brought together traditional authorities, elders, families and residents.

Young people featured prominently in the activities, participating in traditional performances and documenting the occasion with mobile phones and cameras.

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The celebrations reflected the ability of traditional culture to remain relevant within a rapidly changing urban environment.

Ending the day in Tamale captured moments thousands of people celebrating at the Tamale Jubilee Park with displays on horses which was one of the highlights of the celebration.

Truck pusher’s chief which is becoming a very important part of the celebration stole the show which attracted much attention.  

The celebrations in the four communities demonstrated the diversity of Damba across Northern Ghana.

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While the settings and expressions differed, the celebrations shared a common purpose bringing people together and keeping cultural traditions visible.

One of the clearest features of this year’s celebrations was the participation of children and young people.

They danced, watched traditional performances, joined community activities and documented the celebrations.

Their participation points to the important role of younger generations in sustaining Northern Ghana’s cultural heritage.

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For many communities, Damba is therefore not simply an annual festival, but is an opportunity for cultural knowledge to be transferred from elders to young people through participation and observation.

It is also increasingly becoming a visual record, as photographers, journalists and young people use cameras and smartphones to document traditional ceremonies.

The festival continues to bring together traditional authority, families and different generations.

From Geoffrey Asiome Kwame Buta, Yendi

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“Nobody can unite NPP better than Afoko”

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Private Legal Practitioner and New Patriotic Party (NPP) stalwart Charles Owusu Juanah says Awentami Paul Afoko has already started engaging members of opposing camps within the party as part of efforts to build a united front ahead of the 2028 elections.

Lawyer Juanah, who is the National Chairman of Friends of Bawumia, said some NPP members who have lost key positions have become disgruntled and now behave as though the party belongs to them.

He said this attitude has contributed to the divisions within the party and created the need for a leadership figure capable of bringing the various groups back together.

Juanah believes Afoko has the personality and relationships necessary to undertake that reconciliation.

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He revealed that the former chairman has already started reaching out to people from opposing camps.

“He has even begun interacting with opposing camps in order to form a united front ahead of the 2028 elections,” Juanah said.

According to him, Afoko’s engagement with rival groups shows his focus is on building the party rather than deepening existing divisions.

Juanah said the former chairman understands that the NPP cannot successfully prepare for the next election while its members remain divided.

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“He has foresight, the vision, and strategy to ensure there’s a united front,” he said.

Juanah added that Afoko had already begun talks with some members as part of the process.

He said these engagements demonstrate a willingness to listen to different sides and create a platform where members who have fallen out with one another can work together.

“He has even begun talks with some members,” Juanah said.

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He argued that Afoko’s approach also shows his understanding of leadership.

According to Juanah, leadership in the current circumstances requires someone who can speak to different factions without treating political disagreements as permanent divisions.

He said Afoko’s charisma allows him to engage people who may not belong to the same camp.

Juanah therefore believes the former chairman can help bring back members who feel alienated from the party.

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“If there’s anyone who can ensure all disgruntled members come together, then it’s no other than Paul Afoko,” he said.

For Juanah, the reconciliation effort is important because the NPP will need a united internal structure before it can effectively organise for the 2028 election. He said Afoko’s current engagement with rival camps is therefore consistent with the former chairman’s broader “Reunite, Rebuild, and Recapture” message.

By: Jacob Aggrey

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Maiden Black Star Fashion Week to highlight Ghana’s National Fashion Platform

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Ghana is set to take centre stage in fashion, culture and the creative economy as the maiden Black Star Fashion Week (BSFW) takes off with a two-day national fashion experience designed to discover talent, convene the industry and showcase Ghanaian fashion on a global stage.

Put together by the Presidency-backed Black Star Experience Secretariat led by Rex Owusu Marfo, with support from the Ministry of Tourism, Culture and Creative Arts and its agencies such as the Ghana Tourism Authority (GTA) and Creative Arts Agency, it is structured across two connected experiences in Accra and Senchi.

The Black Star Fashion Week will move from inteligent industry dialogue and talent discovery to an exciting fashion celebration.

The first day will take place in Accra on November 4 and will centre on the Black Star Fashion Summit.

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The Summit will bring together designers, fashion entrepreneurs, creatives, industry leaders, investors, buyers, manufacturers, policymakers, media and other stakeholders for a day of conversations, knowledge exchange, networking and talent development.

The Accra experience will feature keynote addresses, panel discussions, fireside conversations, masterclasses, industry presentations and practical workshops covering areas relevant to the growth of Ghana’s fashion industry, including entrepreneurship, branding, digital marketing, textile innovation, manufacturing, fashion finance, export readiness, e-commerce, artificial intelligence, sustainability and intellectual property.

A major component of Day One will be the 16-Region Designer Programme, bringing emerging fashion talent from across the country into one national platform.

Each participating designer will present a creative interpretation of their region, reflecting its identity, culture, heritage, materials, craftsmanship and contemporary design language.

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The Accra programme will culminate in the selection of five designers. Out of the five, one will advance to the flagship fashion show at Senchi.
The second day will move to Royal Senchi on November 7, where the Black Star Fashion Show and experience will take place.

Beyond the runway, Senchi will host a Fashion Village, bringing together designer showcases, retail, textiles, artisan experiences, brand activations, beauty, technology, food and beverage, tourism and lifestyle experiences.

The event will also celebrate Ghana’s cultural diversity through music, dance, textiles, craft, food, storytelling, heritage and visual arts, demonstrating the deep connection between fashion and Ghana’s wider cultural ecosystem.

Honours will go out to outstanding contributors to Ghana’s fashion ecosystem, while networking and business engagements will connect designers and creative businesses with buyers, investors, manufacturers, retailers and other industry stakeholders.

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Black Star Experience (BSE) is a Government of Ghana inititive for Culture, Arts, Tourism and Creative engagement.

As a national, year-round platform, the Black Star Experience brings together Ghana’s cultural, artistic, tourism and creative offerings to strengthen Ghana’s identity, promote the country as a preferred global destination and position Ghana as a leading cultural and creative capital of Africa.

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