Entertainment
Teddy Osei of Osibisa fame dead
Veteran Ghanaian Musician, Teddy Osei of Osibisa fame is reported dead
Ghanaian musician and saxophonist Teddy Osei, a founding member of the Afro-rock band Osibisa, has died at 88 in London on January 14, 2025.
Bessa Simons, President of the Musicians Union of Ghana (MUSIGA), who at a point played alongside the band disclosed that the legendary musician breathed his last on Tuesday morning, January 14, 2025.
Born in December 1937 in Kumasi, Osei was pivotal in the band’s formation in 1969 after studying music in London. His impact on music is celebrated.
He is one of the founding members of this Afro-Caribbean band that rocked the world with their amazing quality.
Through their ingenuity, they projected Ghana’s name through music and their awe-inspiring performances across the world.
In 1969, he founded Osibisa along with several other musicians. The band remained popular through the 1970s, before experiencing a decline, although it continues to perform today.
While at college, he attempted to put together a band along with some of his friends. According to Osei, he only began to play the saxophone because the person who had volunteered for that instrument did not attend the practices. He continued to teach himself the saxophone, listening to records of jazz musicians and playing along with the music.
After beginning work as an inspector, he created a semi-professional band along with his brother and some friends.
The band was known as the Comets, and became successful in Ghana, recording with Philips West Africa and playing for a radio show. Their music was inspired by ‘Highlife’, a genre derived from a fusion of European and African influences.
In 1962 Osei travelled to London, leaving the Comets behind. Having spent his money on travel, he lived with some friends in London, and worked as a dish-washer for a year.
He then applied for and received a grant from the Ghanaian government, which allowed him to attend a private music and drama school for three years.
However, his grant was terminated after Nkrumah was deposed in 1966. Osei teamed up with several other students who had also lost their positions and began to play soul music at various venues across Europe.
The group acquired a following in Switzerland, and named themselves Cat’s Paw. At this stage its members included Sol Amarfio and Osei’s brother Mac Tontoh, both future members of Osibisa. However, the group eventually returned to the UK, looking for a more permanent financial situation.
![Mrs Georgina Quaittoo [third from right] pose with some members of the Association Photos Okai Elizabeth.](https://spectator.com.gh/wp-content/uploads/2026/03/Mrs-Georgina-Quaittoo-third-from-right-pose-with-some-members-of-the-Association-Photos-Okai-Elizabeth-400x240.jpg)
![Mrs Georgina Quaittoo [third from right] pose with some members of the Association Photos Okai Elizabeth.](https://spectator.com.gh/wp-content/uploads/2026/03/Mrs-Georgina-Quaittoo-third-from-right-pose-with-some-members-of-the-Association-Photos-Okai-Elizabeth-80x80.jpg)
The time has come for musicians who were outstanding in the year under review in 2025 to earn nomination at Ghana’s prestigious music awards.
The much-awaited nomination for the 27th Telecel Ghana Music Awards (TGMA) is slated for today, March 14, 2026.
As part of measures to build up anticipation, the announcement will commenced with an hourly unveiling of nominees across all official TGMA social media platforms and partner channels from 11:00 AM to 4:00 PM.
Everything would be wrapped up in the evening with a special ceremony to officially kick off the 27th TGMA season, featuring the unveiling of the Big Five categories alongside key remarks from industry stakeholders at the Palms Convention Centre.
At the ceremony, the TGMA Calendar Indicating official schedule of activities leading up to the main awards ceremony will be unveiled.
Following the close of the submission window, the Board and the Selection Committee spent weeks reviewing works released during the year under review.
Each entry was carefully evaluated for artistic merit, technical excellence, and cultural impact to ensure that the final nominee list reflects the very best of Ghanaian music.
The 27th Telecel Ghana Music Awards is produced by Charterhouse in partnership with TV3, Closeup, British Council, refreshed by Guinness and powered by Telecel .
By Edem Mensah-Tsotorme
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Thousands of music enthusiasts thronged the Adaklu Youth Resource Centre on Thursday night for the Torcher Experience Concert headlined by Ghanaian music icon Stonebwoy, blending entertainment with youth empowerment.
The atmosphere at the concert grounds changed, the moment Stonebwoy began his grand entry onto the stage at the “Torcher Experience” concert.
As the powerful Ewe song “Mele Gbagbe Há Wo le alia” started playing through the speakers, the crowd erupted with loud cheers and excitement waving their hands in unison, sang along, and some held up their phones with flashlights, lighting up the night as they waited to see the Bhim Nation President appear.
Notable of him, Stonebwoy stepped onto the stage with well-rehearsed symbolic choreography and energy, dressed stylishly as he was ushered on the stage by white-clad men wielding long sticks, from where he acknowledged the massive crowd.
The song created an emotional and energetic mood, making the audience feel connected to the performance. As he moved closer to the front of the stage, the cheers grew even louder, setting the tone for an unforgettable night of music and celebration in Ho and beyond as patrons celebrate music, unity and community spirit.
The venue came alive with excitement as fans sang along to popular songs and enjoyed energetic stage performances, creating a vibrant atmosphere that lasted late into the morning.
A delegation led by Mr James Gunu, together with Edem Agbana and Edem Kpotosu, Members of Parliament of Ketu North and Ho Central, respectively attended the event, and presented a citation and helped in cutting a birthday cake to the artiste in recognition of his contribution to music and youth development.
Mr Gunu commended Stonebwoy for projecting the Volta Region and Ghana onto the global stage through music while inspiring young people to pursue their talents and ambitions.
In a notable gesture during the concert, the artiste donated GH¢100,000 as seed funding towards the Volta Youth Development Fund, an initiative aimed at supporting youth entrepreneurship and creating opportunities for young people in the region.
Although the concert recorded massive patronage and lively performances, some patrons raised concerns about intermittent sound challenges; however, many remained at the venue until about 05:30am hours, cheering and calling for more performances as Stonebwoy thrilled the audience with his dynamic stagecraft and popular hits. GNA
