Profile
Dr Gloria Agyeiwaa Antwi Botchway
In a historic milestone for the University of Ghana, Dr Gloria Agyeiwaa Antwi Botchway has become the first woman to earn a PhD in Mathematics from the University of Ghana.
Dr Botchway’s journey from the village of Akaa Buem in the Oti region to becoming the first female to earn a PhD in Mathematics is a demonstration of her resilience and determination.
Born into a family of four, she is the second child of her parents. When her family moved to Accra for her mother’s education, they faced significant hardships, living with an aunt who struggled to make an ends meet while living in a crowded compound where the challenges of life were evident.
Her childhood years were not without challenges. At just seven years old, Dr Botchway began hawking goods to help make ends meet.
Her school life was equally challenging. While her classmates brought a variety of foods to school, Dr Botchway often packed leftover banku, which she and her brother would hide to avoid teasing.
After four years in Accra, the family moved to Asamankese, where she attended Life Preparatory School. Following another move to Winneba, she continued her education at University Primary on North Campus.
Her experiences in Accra were marked by crime and instability, where gunshots from nearby gang members and police conflicts were a common occurrence.
Despite these hardships, Dr Botchway’s determination never declined. She completed her basic education wearing the same uniform from class four through to Junior High School, as financial constraints made it impossible to buy new clothes.
Transitioning to secondary school at Accra Girls, Gloria initially focused on Business subjects but soon discovered her true passion for
Mathematics. “I’ve always loved. Maths – It challenges me, and I wanted to be in a field where few people ventured,” she said.
Her secondary school math teacher recognised her potential and urged her to pursue a career in academia. “He just told me that, Gloria, you have to be a Lecturer,” she remembers. This encouragement, coupled with her innate love for the subject, set Dr Botchway on a path that would ultimately lead her to make history.
It was this passion that led her to the University of Ghana, where she not only excelled academically but also forged a path for future generations of female mathematicians. When she began her studies at the University of Ghana, she initially opted for a Business Administration course but quickly chose Mathematics.
Inspired by mentors like Prof. Elsie Kaufmann and Dr Adu Gyamfi, who advised her on the advantages of a mathematics degree, she ultimately committed to the subject. “I wanted a challenging field where few people ventured,” she explained. “I realised that with a Math degree, I could still pursue Accounting if I wanted”, she added.
As she progressed through her undergraduate and graduate studies, she faced numerous challenges, both academic and personal. “Math is challenging. It’s not easy,” she admits. “But if you love it, you would do it.”
One of the most significant challenges was the lack of female role models in her field. “People do not expect that you would go on with the Math,” Gloria explains. “Sometimes they were very discouraging.” However, these doubts only fueled her determination to succeed.
In an interview with Dr Botchway’s colleague, Justine Johnson, he described her as a dedicated and ambitious individual who is practical and determined.
He mentioned her leadership skills and how she helped set up a Maths study group, which helped him become proficient in Math. He also praised her determination, stating that “nothing is impossible, and she always strives to solve problems.”
Balancing her academic pursuits with her personal life presented another set of challenges. Dr Botchway got married during her Master’s programme and had two children before graduation.
She went on to have two more children during her PhD studies. “Life has to go on,” she says, crediting her supportive husband and family for helping her manage her multiple roles.
In 2024, Dr Botchway’s perseverance paid off when she became the first woman to earn a PhD in Mathematics from the University of Ghana. This achievement is not just a personal triumph but a significant milestone for gender representation in STEM fields in Ghana.
Now with her PhD, she is focused on making a lasting impact in her field and inspiring the next generation of female Mathematicians. Dr Botchway is involved in a project called “Enhancing M in STEM,” which aims to improve Mathematics education for girls in secondary schools.
Professor Deborah Atobrah, Director of the Centre for Gender Studies and Advocacy (CEGENSA) at the University of Ghana, underscores the importance of Gloria’s achievement. “This is a very big achievement. It’s a huge feat in gender work for STEM. However, you know, we think this has taken too long for us to get here. But nevertheless, we still celebrate this very important achievement”, she stated.
Speaking to the Head of the Department of Mathematics, Dr Chisara Peace Ogbogbo, she showered praises on Dr Botchway and applauded her work ethic.
Through her academic journey, Dr Botchway has shown determination and persistence, setting the stage for her groundbreaking achievement. Her story is one of perseverance, representing the spirit of a woman who rose above her circumstances to achieve groundbreaking success.
Dr Botchway in her appreciation remarks thanks God for seeing her through it all. She also acknowledged her supervisor, Professor Anthony Yaw Aidoo of Eastern Connecticut State University, for being supportive throughout her PhD journey.
She extended appreciation to her Department and the University of Ghana for providing an enabling environment with waived fees.
She also acknowledged Dr Twum, Professor Seba and Dr Ogbogbo, for being instrumental in the journey. Carnegie Corporation, through Professor Yaa Ntimoa-Baidu, supported her through the Carnegie Next Generation of Academics, Africa and Banga project. Dr Botchway also thanked their family, especially her mother, Madam Margaret Aduam and her husband for their encouragement. She also thanked her friends for their selfless support throughout their journey.
As Ghana strives to increase female participation in STEM fields, stories like Dr Botchway’s serve as both inspiration and a call to action. Her journey from the market stalls of Teshie to the lecture halls of the University of Ghana demonstrates that with determination, support and access to education barriers can be broken and new paths created. -ug.edu.gh
In a music landscape often defined by trends and tempo, George Nii Odai Oliver widely known as DJ Rev stands out as a man on a mission.
More than just a DJ, he is a minister, mentor, and youth advocate who has found a unique calling at the intersection of sound and spirituality.
Beyond the decks, DJ Rev is a devoted husband and a committed servant of God.
His life is anchored in purpose, with a deep passion for youth development. As the Technical Director at Christ for Youth International (CYI), a global youth ministry, he plays a significant role in shaping young lives, not only through words but also through music.
His journey in ministry began early, including his role as a founding member of the Ambassadors Christian Rap Group, where he first explored the power of music as a tool for transformation.
The name ‘DJ Rev’ derived from ‘Reverend,’ reflects both his spiritual identity and his mission to ignite atmospheres much like revving an engine with high-energy gospel music.
For him, every performance goes beyond entertainment; it becomes a moment of worship, revival, and connection with God.
His journey into DJing started from a fascination with music and technology during his younger years in Ghana.
Drawn to the ability of DJs to influence mood and unite people, he identified a gap in the Christian music space, which was someone who could seamlessly blend urban sounds with gospel messages. Starting from small church events and youth programmes, DJ Rev gradually honed his craft into what he now describes as a full-fledged calling.
Like many success stories, his path was not without challenges; he had limited access to equipment, skepticism about gospel DJing, and the difficulty of balancing ministry with performance all tested his resolve.
Yet, through persistence, faith, and support from mentors and the Christian community, he rose above these obstacles. Borrowing equipment, learning on the job, and staying grounded in prayer became part of his journey.
A defining moment in his career came when he realised that DJing was more than a passion; it was ministry.
Witnessing lives being transformed during his sets, seeing people move from dancing into deep worship, and watching young talents he mentored flourish affirmed his purpose.
DJ Rev’s style is best described as high-energy, spirit-led, and versatile. He effortlessly blends hip-hop, Afrobeats, dancehall, reggae, and urban gospel into seamless mixes that resonate with diverse audiences.
His signature approach is what he enthusiastically calls ‘Energyyyy! saying it is not just about hype, but about creating moments that touch both body and soul.
What sets him apart in Ghana’s DJ industry is his unwavering commitment to ministry-first performances. While many DJs focus solely on entertainment, DJ Rev uses his platform to create spaces where faith and music coexist powerfully. His technical expertise, drawn from his role in ministry, combined with his passion for mentorship, gives him a distinctive edge.
Over the years, he has witnessed significant growth in Ghana’s DJ industry, with increased recognition, technological advancement, and global influences such as Amapiano shaping the soundscape.
Notably, he has contributed to pushing gospel music into mainstream spaces, particularly through his popular Amapiano Gospel mixes.
Among his most memorable performances are events like Oasis Gathering, Sound Fest, and Saved to Serve platforms where music transcended performance into powerful spiritual encounters.
“These are moments that define success, lives touched, hearts uplifted, and faith renewed,” DJ Rev stated
Away from the spotlight, he embraces a quieter, more reflective life. He enjoys spending time with family, mentoring young people, engaging in ministry work, and pursuing simple hobbies like gardening and DIY projects.
For him, a perfect day off includes moments of prayer, meaningful conversations, and peaceful retreats, often in serene locations like Cape Coast or the Volta Region.
Despite his achievements, DJ Rev remains grounded. He acknowledges the challenges he has faced, ranging from limited resources to balancing ministry and career, but credits his resilience to faith, community support, and a clear sense of purpose.
These experiences have taught him invaluable lessons about perseverance, humility, and authenticity.
Looking ahead, DJ Rev aims to expand his ministry through music both locally and internationally, release more projects, mentor emerging talents, and further establish gospel DJ culture in Ghana. His ultimate desire is to be remembered as a pioneer who brought revival through music, blending excellence with unashamed faith.
To young aspiring DJs, his message is clear: master your craft, stay consistent, build character, and never lose sight of your purpose.
By Esinam Jemima Kuatsinu
Entertainment
Amb. Prince Kojo-Hilton’s international mission signals new era for creative industry development
Between October 2025 and April 2026, a significant creative industry mission unfolded across Brazil, led by Ghanaian visual artist, production designer, and Pan-African Art Ambassador, Prince Kojo-Hilton.
What began as an invitation to contribute to creative education quickly evolved into a far-reaching engagement spanning academic institutions, government bodies, global platforms, and community initiatives.
More than a professional visit, the mission positioned itself as a structured intervention aimed at addressing one of the most pressing gaps within the global creative sector, the disconnect between education and industry practice.
At the centre of this engagement was a clear focus on capacity building. Working with the Zion School of Entertainment in Rio de Janeiro, Kojo-Hilton delivered a masterclass in Art Direction and Scenic Design during Zion Creative Week.
The immediate impact of the session prompted an expansion of the masterclass programme into a broader, multi-campus engagement, extending its reach to a wide network of students and emerging professionals.
His approach departed from traditional classroom instruction. Instead of theory-driven lectures, participants were introduced to practical, industry-based processes, including visual storytelling systems, production design methodologies, and the professional discipline required to operate within global creative industries.
The result was a shift in how students engaged with their craft, moving from passive learning to active, experience-driven development.
Beyond academic institutions, the mission extended into diplomatic and governmental spaces. At the Ghana Embassy in Brazil in Brasília, Kojo-Hilton engaged in strategic discussions with Ghana’s Ambassador to Brazil, Nii Amasah Namoale.
The discussions centered on long-term collaboration between Ghana and Brazil within the creative arts sector, with a focus on education, exchange programmess, and institutional partnerships.
This engagement progressed further at the National Congress of Brazil, where he was introduced to policymakers and cultural leaders, including Brazil’s Minister of Culture, Margareth Menezes.
His presence and work were formally acknowledged, reflecting growing recognition of the role creative professionals can play in national development and cultural diplomacy.
On the global stage, Kojo-Hilton represented Ghana at the World Forum of Favelas 2025, where his contributions to creative community development were recognised with an international award.
The forum provided a platform to present models that integrate art, education, and social impact, reinforcing the value of structured creative initiatives in community transformation.
A key outcome of the mission was the international expansion of the Film Craft Expo, an initiative founded by Kojo-Hilton to explore the art, science, and business of film-making and theatre.
Interest from multiple countries has positioned the platform as a potential global model for creative industry engagement, bridging the gap between emerging talent and professional practice.
Academic collaborations also formed a critical component of the mission.
At the University of Brasília, discussions explored interdisciplinary opportunities connecting art, science, and environmental innovation. Additional engagements with institutions such as Casa das Artes de Laranjeiras focused on curriculum development, artist residencies, and production-based training systems designed to better prepare students for industry demands.
While institutional engagement remained central, the mission maintained a strong connection to community impact. Workshops conducted in local communities, including Maricá, emphasised the role of art as a tool for empowerment, identity formation, and social transformation.
A significant part of his engagement in Maricá included a cultural and social contribution through the donation of a painting to the House of Immigrants.
The artwork serves as a permanent symbolic gesture of identity, resilience, and shared human experience, reflecting his commitment to using art as a tool for cultural connection and community memory within the city.
Participation in cultural events such as Rio Carnival further highlighted the importance of preserving cultural heritage while positioning it within a global context.
One of the most forward-looking outcomes of the mission is the development of the Global Visual Arts for Screen and Stage initiative.
The platform is designed to integrate visual arts, film, theatre, fashion, and technology into a unified system that supports training, collaboration, and industry growth.
By addressing fragmentation within the creative sector, the initiative aims to create sustainable pathways for employment, innovation, and institutional development.
Across all engagements, a consistent message emerged, the global creative industry is evolving, and there is an increasing demand for structured, experience-driven education.
Institutions are no longer seeking inspiration alone; they are seeking systems that can translate creativity into measurable economic and social impact.
Following six months of sustained engagement across Brazil, the results are evident. New partnerships are being explored, institutions are opening pathways for collaboration, and there is growing recognition of the role creative industries can play in national and international development.
The mission has not only strengthened cultural and creative ties between Ghana and Brazil, but has also positioned Kojo-Hilton within a broader global conversation on the future of creative industry development.
As he continues to expand his work across continents, he remains open to collaboration with universities, film schools, theatre institutions, visual arts institutions, cultural organizations, and governments seeking to invest in structured creative growth.
He also facilitated a focused workshop on Talent Discovery and Nurturing with immigrants, centered on identifying hidden creative potential and providing practical guidance for personal and professional development.
The session emphasised empowerment through creativity, encouraging participants to recognise their abilities and explore new pathways within the creative industries.
Together, these contributions reinforced his broader mission of using art not only as a professional practice but as a meaningful instrument for inclusion, transformation, and social impact.
In reflection, he expresses profound gratitude to God for the opportunity to undertake this journey and for the grace that made every step possible. From Ghana to Brazil and back, he acknowledges the divine protection, guidance, and favour that ensured safe travels and the mission’s successful execution.
The experience stands not only as a professional milestone but also as a testament to the power of faith, dedication, and purpose.
His guiding philosophy remains clear and unwavering, saying “The only thing that I am a slave to is my passion.”
By Edem Mensah-Tsotorme
