Entertainment
Kente Edition of ‘Rhythms On Da Runway’ slated for Nov 30
This year’s ‘Rhythms On Da Runway’ has been launched with a call on designers to take inspiration from the theme, ‘Kente Edition.’
Kente is a Ghanaian textile made of hand-woven strips of silk and cotton.
Speaking at the launch at the Silver Star Towers last Saturday, producer and creative director of the event, Yvonne Ocloo, said for over a decade, the occasion has been a celebration of the powerful intersection between fashion, culture, and music.”
Yvonne Ocloo noted that “this year, we take our mission forward by centering the conversation on one of Africa’s most iconic and sustainable fabrics – Kente.”
She urged designers to draw inspiration from the ancient wisdom of Kente weavers to create collections that are groundbreaking and sustainable.
“For this edition, we challenge designers to draw inspiration from the ancient wisdom of our Kente weavers, creating collections that are both groundbreaking and sustainable. Just as Kente weaving has stood the test of time, so too should our commitment to responsible fashion,” she said.
According to her, this year’s edition will witness exciting series of activities that celebrate not only the beauty of African fashion but also the immense talent that exists within the continent and beyond.
Touching on activities ahead of the main event, she revealed that “on October 5, we will host our casting, bringing together the most talented models ready to light up the runway.”
Additionally, she added that “October 26 will see our Industry Night, a special evening of networking and collaboration within the fashion and music industries.”
That would be followed by another innovation on November 14 with a unique forum dubbed ‘The Orange’ Roundtable’.
All of these would be crowned on November 30, with the main event, a night of unforgettable fashion, music, and cultural celebration at the Grand Arena.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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