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What sounds are hot with Ghanaian Gen Zs right now? 

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Ghana’s Gen Zs are energetic and motivated. They’re also cosmopolitan, keen to better themselves, and as welcoming of international influences as local ones and those from the wider African continent.

That’s true until the end of the day, when they’re more willing to embrace their melancholy side. At least, that’s the story told by their Spotify music and podcast listening tastes.

From a local music perspective,  Tema’s very own rap and freestyle artist Kwesi Arthur rules the roost, followed by Highlife and Afrobeats singer-songwriter King Promise, with Sarkodie, Black Sherif, and Gyakie rounding out the top five most streamed local artists by Ghanaian Gen Zs.

The list of top artists meanwhile, has a much more American and Nigerian flavour with Burna Boy, Asake, Drake, and Lil Baby all claiming spots in the top five. It shouldn’t be surprising then that Burna Boy also has two songs in the list of most streamed recordings, the megahits “Last Last” and “It’s plenty”. The top song, however, belongs to local artists Agbeshie and EpiqMenz with “Downtown Guy”. Here too, though, Nigerian artists have a strong presence. Bandana by Asake and Fireboy DML and Overloading (OVERDOSE) by Ayra Starr, Boy Spyce, Crayon, LADIPOE, Magixx, and Mavins both feature in the top five most streamed tracks among Ghanaian Gen Zs.

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When it comes to the most popular albums among Ghanaians aged between 18 and 25, , meanwhile, Burna Boy again tops the list with Love Damini. Fellow Nigerians Fireboy DML, with Playboy and Asake with Mr. Money With The Vibe take the next two slots in the top five. Rounding out the list of top albums are local offerings 5 star by King Promise and Son of Jacob by Kwesi Arthur.

Knowing all this, it shouldn’t be too surprising that Rap, Afropop, Nigerian pop, Azontobeats, and Pop are the most heavily favoured genres among young Ghanaians. It also shouldn’t be too surprising that the top five Spotify curated playlists in Ghana include African Heat, Hot Hits Ghana, Ghana Party, Afro Hits, and Afropop.

It’s also interesting to take a look at the mood playlists the country’s Gen Zs listen to throughout the day. During daylight hours, energy and motivation clearly play a big role.

In the early morning, for instance, their top three playlists are Morning Motivation, Wake Up Happy, and Mood Booster. The only deviation comes in the shape of the Villain Mode playlist, featuring tracks themed around heartbreak and being vengeful.

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The upbeat theme picks back up later in the morning when Wake Up Happy is replaced by Confidence Boost. Energy Booster: Hip-Hop and Songs to Sing in the Shower round out the top five. In the afternoon and evening Feelin’ Myself and Happy Hits! join the party.

Things take a more melancholy tone once the day draws to a close, however. The most listened-to mood playlists in the late evening and at night, include Sad Songs, Life Sucks, Sad Guitar Instrumentals, and Lowkey. There is still space for love though, with 100 Best African Love Songs, Goosebumps, and Chilled R&B proving popular.

Moving away from music and to podcasts, things have a more spiritual feel, especially when it comes to those produced locally. The top-rated local podcast, Sincerely Accra covers life in the capital, as does number five in the top five Stay By Plan. The second-most listened to local podcast CEYC Airport City Podcast is, however, religious as are number three and four, the Mensa Otabil Audio Podcast, and Pastor Agyemang Elvis.

These are just a few of the insights that Ghana’s Gen Z listening tastes provide. One thing that should be clear is that, as their influence grows, they’ll have an exciting role to play in shaping Ghana’s future and that they’re definitely up for it.

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Source: Ghana/Starrfm.com.gh

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Yaw Sarpong passes on

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The late Yaw Sarpong

Legendary Ghanaian gospel musician and founder of the Asomafo gospel group, Yaw Sarpong, is reporteddead.

The 66 year old gospel artiste is said to have died at the Emena Hospital in Kumasi on January 20, where he was receiving medical treatment.

For sometime now, Yaw Sarpong had been dealing with prolonged health challenges, forcing him to reduce his public appearances and step away periodically from performances.

Yaw Sarpong is widely credited as a pioneer of contemporary Akan gospel music.

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 Through Yaw Sarpong and Asomafo, he introduced a distinctive sound marked by rich harmonies, disciplined arrangements and lyrics firmly grounded in Christian teachings.

His leadership and musical direction helped shape the identity of gospel music in Ghana for decades.

Some popular tunes by the group includes ‘Wo Haw Ne Sen’, ‘Tie Obiaa’, ‘Aduro Yesu’ and ‘Awurade Kasa’, tracks that continue to feature prominently in churches and Christian gatherings across the country.

Yaw Sarpong’s death comes barely some weeks after the passing of Maame Tiwa, a key pillar of the Yaw Sarpong’s Asomafo music group.

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By Linda Abrefi Wadie

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Diana Hamilton launches Awake Experience

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Diana Antwi Hamilton

Heavens will come down at the International Central Gospel Church, Temple East (ICGC) as gospel songstress Diana Hamilton holds her annual concert.

The annual concert ‘Awake Experience’ with Diana Hamilton will take place in Accra on February 15, and at the church of Pentecost, Bantama Kumasi on February 22.

Speaking to The Spectator Agoro, she said this year offers another opportunity to have an experience with God, saying “So I want to be in his presence and watch him do mind blowing things.”

The ‘Aha Ye’ hit maker also announced that leading up to the event, the Diana Hamilton Team will embark on various outreaches to spread the gospel through ministration.

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Themed ‘Dwell,’ will bring together renowned artiste and worshippers to celebrate faith and music.

Notable among them are Elder Dr Kwesi Mireku, Ntokozo Mbambo, Sisi Baidoo, Nana Yaw Ofori- Atta, Tagoe sisters and Joojo Arhin.

Diana Hamilton is a celebrated Ghanaian gospel singer, songwriter, and nurse, known for her inspirational music, spiritual depth, and impactful stage presence.

She has achieved historic wins like VGMA Artiste of the Year in 2021, becoming the first female gospel artist to do so, and is also recognised for her philanthropic work through the Diana Hamilton Foundation.

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By Linda Abrefi Wadie

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