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Of insults, team quality and the Stars

●●Thomas Partey (left) and Coach Rajevac looking dejected after Ghana’s elimination. On the right: Comoros’ celebration and Andre Ayew’s startling red card

ON Tuesday night, January 18 2022, Ghana’s Black Stars shamefully crumbled 2-3 to minnows Comoros in their final African Cup of Nations (AFCON) Group C game played at the Roumdé Adjia Sports Stadium in Garoua.

The staggering result was enough to bundle the 10-man Stars out of the campaign. Skipper Andre Dede Ayew was given the marching-off orders in the 25th minute when the Stars were already down to an inconceivable fifth minute goal. Comoros doubled their lead after the recess. But the 10-man Ghana team ferociously clawed back to make it 2-2 before conceding a late strike as the players poured forward in search of another goal.

Truth is that our boys were not good enough.

It was Ghana’s darkest moment in the history of AFCON as the hunt for their first Golden Fleece since 1982 continues next year when the continent’s football festival comes around, once again.

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Evidently, it was not the first time Ghana had bowed out in round one; but this is the only time the Stars had returned from a Nations Cup tournament without winning a single game.  

Ahead of the must-win tie, nonetheless, many Ghanaians took to social media and other media outlets to pour out invectives on the team, the Ayew brothers, the technical handlers and the leadership of the Ghana Football Association (GFA), for superintending over the Stars supposed failure.

At a point, it got so bad that some respected football icons including former GFA boss Lepowura Alhaji MND Jawula had to intervene, appealing to Ghanaians to take the edge off the Black Stars as regards their performance in the tournament – stressing the need to encourage the players at the crucial stage of the competition and “and not to kill their moral.”

“We should open our eyes. Ghanaians should tone down on some of the issues and some of the things that we say that don’t encourage our players because people are sacrificing to play for Ghana.”

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Ghana had opened its Group C campaign with a dismal 0-1 loss to Morocco before being held to a disappointing 1-1 draw game by Gabon who struck as late as the 88th minute – after the Stars had taken an 18th-minute lead through an eye-catching Dede Ayew strike. That result put Ghana in a tongue-tied position ahead of the Comoros affair.

For the fans, beating Gabon and Comoros should have been as easy as shooting fish in a barrel. Perhaps, that may not be exactly true as things have changed now and the gap between the so-called minnows and the giants has narrowed appreciably. You may have been aware of what is happening to Algeria in the tournament.

Tipped to defend their title without much sweat, the Algerians were halted in their second group game by a team you would consider as neophytes – Equatorial Guinea. Stunningly, the 29th-FIFA ranked Fennec Foxes slumped 0-1 to the 114th-ranked Equatoguineans, to put them in harm’s way against Cote d’Ivoire.

Of course, nobody is saying the Stars must not be criticised. Far from that! Criticising in order to whip the team into line when they go off-beat is the way to go; but it must be done dutifully and constructively.

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But when you get so hot-and-bothered and emotional, and rather decide to extend the attacks on the players to their families; that is most unfortunate and crude. It is the most uncultured way to address an issue – no matter how niggling it is.

Cast your mind back a bit and recall the avalanche of insults that former skipper of the Black Stars, Asamoah Gyan – and the mother (now late) had to be subjected to anytime he had a stumpy performance for Ghana. Is that the way to go?  Many have had their hearts in the boots after reading some of the disparaging comments on social media.

Truth, however, is that the Black Stars and Coach Milovan Rajevac hugely let the nation down with the string of lifeless performances in the AFCON. Rajevac, who took Ghana to a memorable quarter final slot at the 2010 FIFA World Cup, has been disastrous in his second stint with delayed substitutions and tactics. Losing to Morocco and ‘little’ Comoros and picking a draw against Gabon, is the worst that can happen to a side that has won the Nations Cup four times – and only in 2010 and 2015 were in the grand finale.

Ahead of the AFCON, the Stars were also crushed 3-0 by Algeria in a friendly.

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The only positive bit was when Ghana managed to beat South Africa 1-0 in that controversial tie to qualify for the play-off stage of the Qatar 2022 World Cup. 

How do we include injured players like Mubarak Wakaso and Mohammed Kudus into our final squad for the tournament when we had other capable ones elsewhere? This is simply scandalous! Are the players currently in the team the best we could lay hands on?

Well, it is probably time for cool heads now as we navigate the way forward, especially when we have a crucial World Cup play-off ahead of us, in less than two months.

Whatever decision we take today should be able to change things for the better. For now, our football is bleeding and the love for the Stars is increasingly vanishing – if not gone already. It is incumbent on GFA boss Kurt Okraku and his lieutenants to burn the candle at both ends to resurrect the game’s fortunes as quickly as possible.

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By John Vigah

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Entertainment

Breaking News: Daddy Lumba is dead – Family announces

Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.

His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.

“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.

Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.

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He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.

“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.

The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.

The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.

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Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.

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Entertainment

Edem’s debut album gets praise from Sarkodie

Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.

In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.

He said he was instantly impressed and knew Edem would have a serious impact on the music scene.

“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”

“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.

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Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.

Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.

Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.

At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.

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His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.

Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.

Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.

Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.

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