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Look-alikes should have fun provided they don’t cross boundaries – King Promise

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Award-winning Afrobeats singer, King Promise has advised celebrity look-alikes to have fun and not go beyond their limits.

Speaking to ace broadcaster, Abeiku Santana on Okay FM’ Drive Time Show,  the ‘Ginger’ hitmaker said he is honoured to have someone see him as a mentor and would want to dress and behaves like him.

King Promise added that he was happy to see them try to hustle, and make music, just to find a way to survive.

According to him, ” I see them as having fun, and I enjoy watching.”

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This notwithstanding, he said they could do all these provided they do not cross boundaries by using his name to do any illegal move or do music and other related businesses in his name.

The issue of look-alike has in recent times become a bone of contention as Ghanaians remain divided over the phenomenon. 

As some believe it is a harmless culture creeping into the country’s creative space, there is a section with the conviction that it should not be entertained.

By Edem Mensah-Tsotorme

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TGMA 2026: Who rules Ghana music  tonight as AOTY?

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The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry. 

It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.

The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.

 On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.   

Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time. 

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Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.

A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.

Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.

 If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.

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Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.

Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.

By Edem Mensah-Tsotorme

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Berima Amo thrills hundreds at fourth International AmoFest 

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Berima Amo in his elements
Berima Amo in his elements

The fourth edition of International AmoFest lived up to its promise on Saturday, May 2, delivering a vibrant “three-in-one” experience that left the audience at Alliance Française in Accra buzzing.

The night was a masterful blend of sound and stagecraft. Berima Amo, the visionary behind the festival, led an impressive lineup of performers, including Pedro Kastelijns, Martha Apini, Rudy Ray, and Lamisi. 

Together, they showcased a fusion of global music and authentic Ghanaian Highlife, staying true to the festival’s mission of preserving Ghana’s original rhythmic soul.

Adding a unique layer to the evening, Uncle Ebo Whyte’s Roverman Productions took to the stage, blending theater with the night’s musical energy. 

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The experience concluded with a high-energy after-party, fulfilling Berima Amo’s goal of creating a truly immersive and memorable night.

Reflecting on the event’s purpose, Amo emphasised the need for intentionality in protecting Highlife.

 He called on every Ghanaian, as well as government institutions, to actively foster an environment where the genre can thrive on the global stage.

The main event followed a successful educational outreach on April 24, where over 250 high school students participated in a Highlife workshop at the Centre for National Culture. 

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By Edem Mensah-Tsotorme 

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