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Develop pathways for children in remote areas- Kurt Okraku charges Referees Bureau

The President of the Ghana Football Association (GFA), Kurt Edwin Simeon-Okraku has charged the Referees Department to come up with a clear career pathway to help develop children in remote areas who are interested in refereeing.
He was speaking at a one-day training workshop for Referees Managers from the 10 Regional Football Associations.
‘’The leadership of the refereeing fraternity should endeavour to give Ghanaian citizens who are interested in refereeing a clear developmental pathway that can enable a child, living in the remote areas of Ghana, who is interested in the noble art of refereeing, the opportunity to realise their dreams to become Referees without needing any external influences such as so-called pushers, godfathers or godmothers,” he emphatically said.
According to him, ‘’There should be a clear pathway for a child interested in refereeing to go all the way to become a FIFA referee.”
He also talked about the need to re-train, motivate, and encourage former referees who fell out of the industry following the Anas expose.
“So, just before 2019, due to the Anas expose, we lost 78 referees!! That was a big blow to Ghana Football!! Since then, we have tried to regroup and find workable ways through which we can encourage the ones that have been retained and also motivate and get people to be interested in the art of refereeing,” President Simeon-Okraku added.
The training workshop was spearheaded by Referees Manager Alex Kotey with support from Technical Director Professor Joseph Kwame Mintah.
Entertainment
Breaking News: Daddy Lumba is dead – Family announces

Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.
His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.
“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.
Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.
He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.
“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.
The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.
The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.
Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.
Entertainment
Edem’s debut album gets praise from Sarkodie

Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.
In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.
He said he was instantly impressed and knew Edem would have a serious impact on the music scene.
“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”
“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.
Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.
Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.
Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.
At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.
His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.
Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.
Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.
Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.