Entertainment
Shatta Wale has not achieved enough to jab Stonebwoy… Sally Mann fires
Entertainment pundit Sally Mann has cautioned dancehall musician, Shatta Wale not to throw jabs at his colleague, Stonebwoy again.
According to the maverick critique, Shatta Wale has not achieved enough to warrant that posture of throwing jabs at Stonebwoy.
Reacting to recent rants by Shatta Wale on Stonebwoy on Power FM over the weekend, Sally said, it is about time the former desists from such an unprovoked attack on the latter.
She said Stonebwoy is far ahead of Shatta Wale and currently living the dream the On God hitmaker wished for.
According to her, the quality of music videos and the level of hard work Stonebwoy exbibits in his craft places him far ahead of Shatta Wale
“Stonebwoy is not your mate, let us put it out there, and let also know that your time is up, just like everybody’s time was up. Leave him alone, leave him alone,” she cautioned.
By Edem Mensah-Tsotorme
In a landmark move to bridge the creative economies of Francophone and Anglophone Africa, the Republic of Congo has initiated a creative collaboration with Ghana.
The partnership was aimed at promoting Pan-African integration through film, culture, and shared storytelling.
Madam Claudia Yoka, a renowned filmmaker and Presidential Technical Advisor from the Republic of Congo led a delegation that included Ms. Monie Lek, a Congolese actress and Mr. Dymo Sow, a Francophone filmmaker for the event. 
The visit was facilitated and supported by the African Chamber of Content Producers (ACCP), which has been at the forefront of continental creative integration through initiatives such as the Africa Monologue Challenge and the Africa Image Ambassador Programme.
During her stay, Madam Yoka held high-level meetings with the Chief Executive Officer of the National Film Authority of Ghana, Madam Kafui Danku, as well as other key creative industry stakeholders, including veteran filmmaker Mr. Roger Quartey and award-winning filmmaker Madam Juliet Asante.
Madam Claudia Yoka revealed why the Republic of Congo turned its attention to Ghana, citing Ghana’s historic role in the development of Nigeria’s film industry as a key factor.
Ghanaian creatives, technicians, and institutions were instrumental in the early growth of Nollywood, and Congo now seeks to replicate that transformative impact.
“Ghana has proven that it knows how to build film industries. We have seen what Ghana did with Nigeria. Now we want Ghana to do the same with the Republic of Congo,” Madam Yoka said.
Madam Kafui Danku, CEO of the National Film Authority, expressed the readiness of the NFA and the Government of Ghana to facilitate any policy framework needed to ensure the success of the collaboration.
She noted that Ghana was committed to becoming a hub for continental creative partnerships and that the government would remove bureaucratic hurdles to enable seamless co-productions between Ghana and the Republic of Congo. -GNA
Ghanaian singer Enam showcases her command of traditional music and spiritual storytelling in ‘Modzi’, the latest visual installment from her ‘Afro Spiritual’ catalogue.
Before the official music video was released, Enam issued a short film that portrays her unwavering devotion to her sanctified faith, even as dark forces attempt to derail her destiny.
Shot by Marine World Studios and directed by Nani Sage, the film serves as a visual and sonic meditation on purpose, protection and spiritual alignment.
Rooted in African ancestral traditions, it captures a moment of transition, where preparation ends and calling begins.
It tells a story of walking a path believed to have been written long before.
The rising artiste draws heavily from the Yeweh shrine traditions of the Volta Region, a heritage that forms the backbone of her self-defined genre, ‘Afro Spiritual’.
The new ‘Modzi’ project, African sounds and dance‑ready rhythms, since its debut has been praised as one of the most thoughtfully curated releases in the country’s contemporary music landscape.
In the newly released Modzi video, Enam is seen riding a canoe along the river while participating in symbolic traditional rites in the forest.
The music video highlights striking images of Anloga culture, heritage monuments and communal rituals, positioning it as a potential contender for video of the year.
The new single is available on major digital music platforms, and the video is available on YouTube.
