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Hunger protest: Hoodlums vandalise bank, mount armoured tank in Kaduna
Hunger protest: Hoodlums vandalise bank, mount armoured tank in KadunaThe ongoing #EndBadGovernanceinNigeria protest in Kaduna took a new twist on Monday as protesters regrouped and set fire to a security patrol vehicle belonging to the Kaduna State Vigilance Service in Rigasa, located in the Igabi Local Government Area.
The Zaria office of the Kaduna State Traffic Law Enforcement Agency was also razed.
Spokesman for the state police command, ASP Mansir Hassan, confirmed that hoodlums vandalised a branch of one of the new generation banks at Tudun Wada in Kaduna South Local Government Area of Kaduna State on Monday.
He said, “Hoodlums broke into the bank and carted away some valuables and also destroyed some vehicles parked within the bank premises.”
He, however, debunked rumours that “a police armoured personnel carrier was snatched by the violent protesters at Tudun Wada.”
Hassan said, “The driver of the armoured vehicle succeeded in manoeuvring the crowd of protesters who climbed on top of the vehicle since it was carrying live ammunition and couldn’t have used maximum force against the crowd.
He added that “On the same day, protesters vandalised several government properties, including the office of the Kaduna State Traffic Law Enforcement Agency on Sokoto Road in the heart of the state. Part of the office was burnt, and furniture and other items were stolen.”
Our correspondent reports that this unexpected escalation has raised concerns about the protests’ direction and the potential involvement of external influences.
This was just as the Kaduna State Security Council, led by Governor Uba Sani, has imposed a 24-hour curfew on Kaduna and Zaria metropolitan cities and their environs, effective immediately.
The decision followed a review of the security situation in the state, which revealed that the ongoing protests have been hijacked by criminal elements engaging in looting and destruction of private and public property.
In a statement by the Overseeing Commissioner for Internal Security and Home Affairs, Samuel Aruwan, citizens were advised to remain indoors while security forces work to maintain safety and security.
He said the curfew would be reviewed as necessary.
The Kaduna State Government urged citizens to cooperate with the security forces and to report any suspicious activities.
Meanwhile, after a brief period of calm, the protesters, mainly youths and children, reassembled in the city centrechanting “bama so,” meaning, “we don’t want” in Hausa.
They carried no placards stating their demands, only leaves and the Russian national flags.
According to one of the protesters, who wished to remain anonymous, they were angered by President Bola Tinubu’s failure to announce the return of fuel subsidies in his Sunday address to the nation.
Source : The Punch
The professor who spends his days exploring the intricacies of African languages found himself at the centre of a different kind of lesson on Friday, October 2, 2026. 
This time, there were no lecture notes, academic arguments or university classrooms. Instead, there was the weight of tradition, the rhythm of a community celebration and the solemnity of an oath at a royal palace.
Professor Ọbádélé Kambon, a full Professor of African Linguistics at the University of Ghana, was enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong in the Eastern Region in a ceremony that brought academia and traditional authority together.
For the professor, the occasion was more than a new title. It was a moment that connected his academic interests in African languages and indigenous knowledge with the living traditions of an Akan community.
The day’s events unfolded through a series of customary observances. Kambon was first taken to the compounds of the Ɔkyeamehene and Gyasehene, where the preparations for his installation continued.
Then came the application of hyire, the white kaolin powder associated with traditional rites.
With the customary proceedings underway, the new chief was lifted onto the shoulders of celebrants and carried along the main thoroughfare of Akuapem Mampong.
The procession transformed the streets into a public stage for a ceremony rooted in the community’s traditional institutions.
There was something striking about the image, a university professor, accustomed to the measured language of academic discourse, being carried through the town in a display of traditional recognition.
Yet the celebration was not complete with the procession.
A ram was sacrificed at the Mamponghene’s compound before Kambon was taken to the palace, to swear the oath associated with his new offices.
The ceremony brought him formally into his roles as Apagyahene and Sunsum Ɔsahene.
Beyond the colourful proceedings, the titles themselves carry layers of historical meaning.
Kambon in his research explores the historical connections between Apagya and Akan political and military organisation.
Accounts cited in his work linked Apagya to an asafo, or military company, while historical writing traces an Apagya stool in Asante to the reign of Opoku Ware I in the eighteenth century.
These historical associations offer a glimpse into the institutions that have shaped Akan society over generations, although they do not automatically define the precise responsibilities of the office in Akuapem Mampong.
Kambon’s own professional life reflects a similar interest in preserving and examining African knowledge.
His work encompasses Akan language structure, naming practices across the Black world, proverbs and indigenous intellectual traditions.
Through Abibitumi, the platform he founded, he also promotes language learning, scholarship and cultural engagement.
But tradition was only one part of the story that day.
When the formal ceremony gave way to a reception, the occasion expanded into a celebration of three milestones: Kambon’s enstoolment, his promotion to full professor and his daughter Ama’s admission to the University of Ghana.
The gathering therefore carried a personal significance that went beyond the honours bestowed on one man. 
It celebrated professional advancement, the continuation of family aspirations and a connection to cultural heritage.
For a father, seeing a daughter gain admission to the same university where he holds a distinguished academic position offered another reason to celebrate.
For the professor, the moment placed family achievement alongside his own professional and traditional milestones.
Kambon had already established a place in the traditional life of Akuapem Mampɔn through an earlier installation as Banmuhene Kyidɔmhene, recorded in 2017.
His latest enstoolment adds another chapter to that relationship.
In Akuapem Mampɔn, the day brought together the university, the palace and the family table in one celebration. And for Kambon, the journey from the lecture room to the traditional procession showed how scholarship, cultural responsibility and family achievement could converge in a single memorable occasion.
By Enoch Ntiamoah Siaw
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ASOHOM organises fundraising gala to protect Ghana’s water resources, support vulnerable communities
The Association of Spouses of Heads of Missions and International Organisations (ASOHOM) last Friday held the 2026 edition of its annual Charity Gala, at the Kempinski Hotel Gold Coast City, Accra under the theme ‘Woven Currents.’
It was attended by members of the diplomatic and international community, distinguished guests, corporate partners, and artists, friends of Ghana and supporters of ASOHOM’s charitable mission.
What was supposed to be a fundraiser turned into a perfect platform to celebrate friendship, culture and creativity.
Water was at the heart of this year’s message, said Sovanna Taliercio President, ASOHOM and Chairperson of its Fundraising Committee.
“Through art, music and live performance, the gala highlighted the vital connection between water, life and our shared future, while drawing attention to the importance of protecting Ghana’s water resources and supporting sustainable solutions for vulnerable communities,” a statement signed by Ms Taliercio said.
The evening featured a remarkable exhibition of Ghanaian contemporary art, live performances, an auction and raffle, alongside an elegant dinner and opportunities for guests to connect and support the cause.
She expressed gratitude to everyone who contributed to the success of the event— sponsors, artists, performers, partners, volunteers, ASOHOM members and, most importantly, every guest who chose to support its cause.
“Our fundraising efforts are ultimately about more than one evening. They are about transforming generosity into tangible support for communities in need. The funds raised through ASOHOM’s charitable initiatives will contribute to projects aligned with our humanitarian priorities and our commitment to supporting meaningful and sustainable development in Ghana,” she said.
She expressed pride at what ASOHOM represents: a community of women and men from across the diplomatic and international community who come together beyond their official roles to build bridges, strengthen partnerships and give back to the country we are privileged to call home.
She said the success of ‘Woven Currents’ was a testament to the power of collaboration, compassion and collective action and reminds that with togetherness, small contributions can create lasting impact.
By Spectator Reporter
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