Entertainment
Hiplife pioneer Nana King releases 4EVR Champion Vol.1

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Legendary US-based Ghanaian musician, producer, and music entrepreneur Nana King is getting ready for the release of his highly anticipated new album 4EVR Champion Vol. 1.
The much-awaited album was released worldwide on Friday, March 6, 2026, a historic and iconic date in Ghana.
The ambitious 25-track album marks the first installment of a two-part series: 4EVR Champion Vol. 1, which launches a major new chapter for Nana King whose claim to fame was ignited over two decades ago, and the second part scheduled for release later this year, continuing the momentum of what is shaping up to be one of the most expansive projects of his career.
Nana King is widely recognized as one of the pioneers of the Hiplife genre who helped shape the groundbreaking sound that emerged from Ghana in the late 90s.
However, on the latest project 4EVR Champion Vol. 1, he blends that legacy with a modern global sound, combining Hiplife, Afro Trap, R&B, and hip-hop into a vibrant and internationally accessible record.
4EVR Champion Vol. 1 moves fluidly between smooth R&B melodies, rhythm-driven Afro Trap production, classic Hiplife flows, and modern hip-hop arrangements, with a lot of melodic vocal hooks that gives the project a worldwide listenership appeal.
The album also presents a multilingual experience, featuring songs in English, Twi, and Pidgin, reflecting the diverse cultural influences behind Nana King’s music and giving it a distinctive international flavor.
Nana King brings together decades of musical experience with a forward-looking vision which is evident in the impressive roster of collaborators from across the contemporary music scene.
Notably, all of the featured artists on the album, except Kwacy Boat, are signed to Nana King’s label, Ashanti International Records, highlighting the strength of the roster he has developed and mentored through the label.
Reigning rap queen Nana Queen appears on two of the album’s most anticipated tracks.
She joins Nana King on the title track “4EVR Champion”, a bold Afro Trap reinterpretation of Nana King’s iconic 1999 anthem “Champion,” originally recorded with Ghanaian rap legend Ex-Doe.
Nana Queen also appears on the breakout single “Woye Medo”, which has already been dominating radio airwaves throughout the early months of 2026.
Other featured artists include Lucia on “Fake”, Kwacy Boat on “Anadwo Yɛ Dɛ”, Boy Spike on “Ɔnnye Wo Deɛ” and Shegeeh on “Odononie”. These collaborations showcase the range of voices shaping Nana King’s latest musical vision.
In his part, COO of Ashanti International Records/Nana King’s Manager, Marcelle Sirkus noted that “this album celebrates the sound that cemented Nana King’s legacy, while setting a new standard for hiplife artists worldwide.”
Meanwhile, the album’s early buzz has been fueled by the success of Nana King’s single Woye Medo, which has been steadily gaining traction on radio and streaming platforms since the start of the year.
Blending heartfelt Twi lyrics with modern production and Afro Trap rhythm, the song has quickly become a standout release and a signal that Nana King’s sound continues to resonate across generations.
More than two decades after helping shape the Hiplife movement, Nana King is now pushing that sound beyond borders. The music video for the Title Track “4EVR Champion” is certain to thrill fans upon its release in a few weeks.
As 4EVR Champion Vol. 1 arrived on Friday, March 6, the message behind the album is clear: Nana King’s intentions go beyond revisiting the legacy he helped create; he’s bringing the sound he pioneered to a worldwide audience in a bold new era.
Born William O. A. Konadu Jr. in Los Angeles, Nana King later lived in Ghana, where he launched his record label Ashanti International Records.
Through the label, he developed and mentored numerous artists who would go on to become chart-topping stars, helping to define a generation of Ghanaian music.
Entertainment
Diana Hopeson returns with new album Megyae

Veteran Ghanaian gospel musician Diana Hopeson, is set to return to the music scene with a new album titled Megyae, a project centred on faith, worship, personal reflection and the power of God’s Word.
The seven-track album, which also includes an instrumental version of the title song, brings together different aspects of Hopeson’s musical journey, combining traditional Ghanaian gospel sounds with contemporary expressions.
At the centre of the project is the title track, Megyae, which was inspired by Psalm 119:9-16 and focuses on the need to keep God’s Word in the heart as a guide to living a righteous life.
Madam Hopeson explained that the song addresses the everyday struggle to overcome temptation, distractions and unhealthy habits that can prevent people from becoming who God has called them to be.
As a certified counsellor, she also seeks to draw attention to some of the deeper issues that can contribute to destructive behaviour and repeated unhealthy patterns.
The project acknowledges that addiction and other harmful behaviours may be linked to factors such as trauma, stress, mental health challenges and a person’s environment.
Megyae, therefore, presents both a spiritual message and an invitation for listeners to reflect, seek healing and embrace positive change.
Musically, the album brings together different eras of Hopeson’s sound.
The album opens with a worship version of one of her popular songs, Agyenkwa Hene, while Yesu Mo has also been reimagined in a worship style.
It further features two energetic praise medleys, including one inspired by Hopeson’s Awutu heritage, as well as an English interpretation of Psalm 119:9-16 titled Your Word In My Heart.
The title track appears in two versions, with one taking a warm, vintage-inspired approach that reflects the character of classic Ghanaian gospel music, while the other offers a more contemporary sound for younger listeners.
According to Hopeson, the combination of worship, praise, heritage and personal devotion is intended to create a musical journey while marking a new chapter in her contribution to Ghanaian gospel music.
Ahead of the official launch, she will host an online listening session on August 15, 2026, with further details expected to be announced on her social media platforms.
The Megyae album will officially be launched at an invitation and RSVP-only launch and fundraising event on August 30, 2026.
The fundraising event will support a nationwide school outreach and campaign inspired by the album.
Through Megyae, Hopeson is encouraging listeners to reflect on the things they need to let go of and consider the impact of allowing the Word of God to take root in their lives.
By: Jacob Aggrey
Entertainment
Miss Ghana 2026 winners presented to Tourism Minister

The newly crowned winners of Miss Ghana 2026 have been officially presented to the Minister of Tourism, Culture and Creative Arts, Madam Abla Dzifa Gomashie, as the pageant prepares to mark 70 years of beauty, culture, and national pride.
The courtesy call, held recently in Accra, also marked the official unveiling of the queens to the Minister and Miss Ghana @70 Legacy Project, a year-long initiative to commemorate the pageant’s 70-year history and reposition it as a platform for tourism promotion, youth empowerment, and cultural diplomacy.
The delegation was led by Ms Inna Patty, Chief Executive Officer (CEO) of Exclusive Events Ghana, organisers of Miss Ghana.
The team presented their roadmap for the reigning queens, including preparations for the Miss World competition and a series of activities lined up ahead of the pageant’s 70th anniversary.
Commending the organisation for sustaining the pageant for seven decades, Madam Dzifa Gomashie pledged the ministry’s full support.
She assured that the queens’ activities will be aligned with national tourism campaigns and other key initiatives to project Ghana’s heritage to the world.
The grand finale of the 69th edition, held under the theme: ‘Empowering Women, Enduring Legacy,’ saw Rumzia Sule, an International Relations student at the University of Cumbria, crowned Miss Ghana 2026.
She emerged victorious over 12 other contestants to claim the coveted national title.
Also honoured on the night were Fatimatu Zara Ishaku, a University of Ghana graduate, who placed as 1st Runner-Up, and Whitney Opoku Nketia, who was named 2nd Runner-Up.
Founded in 1957, the same year Ghana gained independence, Miss Ghana remains the nation’s oldest and most prestigious beauty pageant.
For 70 years, it has crowned women who have gone on to serve as ambassadors for Ghanaian culture, fashion, education, and social impact.
By Edem Mensah-Tsotorme








