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Democracy Hub Demo: Prosecute law breakers and hooligans- NPP
The National Youth Wing of the New Patriotic Party (NPP) is demanding the prosecution of some demonstrators arrested following the Democracy Hub Demonstration over the weekend.
According to them in a statement issued and signed by the National Youth Organiser, Salam Mustapha, they have taken note of the recent arrests made by the Ghana Police Service involving individuals engaged in various acts of vandalism, destruction of property, unlawful assembly, and assault on public officers.
The statement said, the acts were perpetuated by what they describe as some miscreants and hooligans masquerading as demonstrators under the name Democracy Hub.
“We firmly believe that individuals who take the law into their own hands and commit such criminal acts under the guise of a demonstration must be held accountable and face the full rigours of the law in our courts,” the statement added.
They added that that “Law and order are fundamental to the peace and security of our nation, and those who violate these principles should not be exempt from justice In this regard, we call upon all law-abiding and peace-loving citizens to support the police in their efforts to prosecute those involved in these criminal activities.”
The party noted that it is crucial that Ghanaians collectively uphold the rule of law and condemn such unruly behaviour, as it threatens the very foundation of our democracy.
“While we recognise and support the rights of all citizens to engage in peaceful and lawful demonstrations as enshrined in our constitution, however, it is important to emphasize that acts of vandalism, destruction of property, and other unlawful actions must be unequivocally condemned without fear of political, religious, or ethnic repercussions for speaking out against such acts,” the statement added.
According to them “ The Youth Wing of the NPP wishes to emphasize that the non-prosecution of these miscreants who caused ample public discomfort will serve as a motivation for more serious acts to come in the future, as it will develop a culture of impunity.”
“We therefore, throw our full weight behind the police and also urge all well-meaning Ghanaians to also do so. The millions of enraged Ghanaians who watched with horror the destruction of property and attack on the public are waiting for justice from the police,” they added.
“It is important that we establish that no one or group is above the law and that crime is punishable. If this is not done, then it will pave the way for violent clashes in the future as others will also group to protect their property and other interests. We are keenly watching as it pans out.Thank you,” the statement concluded.
By Edem Mensah-Tsotorme
The Government of the Republic of Korea has presented a second consignment of equipment to support the study, maintenance and preservation of Ghana’s historic forts and castles under the Korea-Ghana ICT Climate Project.
At the handover ceremony in Accra, today, Abla Dzifa Gomashie, Minister for Tourism, Culture and Creative Arts, expressed appreciation for Korea’s continued support, including its US$4.5 million intervention towards heritage preservation, technical assistance and capacity building.
The equipment will strengthen the Ghana Museums and Monuments Board’s efforts to address the impact of climate change on Ghana’s historic heritage infrastructure.
The Ministry noted that they remain committed to working with international partners to safeguard Ghana’s priceless heritage for present and future generations.
By Edem Mensah-Tsotorme
The Association of Spouses of Heads of Diplomatic Missions and International Organizations (ASOHOM) brought art, diplomacy and philanthropy together for its glamorous black-tie charity gala, centred on the urgent theme of sustainable water futures.
At the heart of the evening was ‘Woven Currents’, a thought-provoking commissioned exhibition co-curated by Fang W. Linulf of LogonART and Fadila Njoya from Gallery Sankofa, showcasing five outstanding Ghanaian artists confronting water pollution, coastal decay, ancestral memory and ecological regeneration.
Housed within a versatile multi-function hall, far from a conventional white-cube gallery, the venue underwent a dramatic creative transformation.
Drawing on her professional architectural background, curator Fang W. Linulf reimagined the standard event space into a vivid, immersive exhibition environment through bold spatial storytelling.
Monumental art installations encircled gala guests, breaking traditional viewing boundaries and forging a remarkably intimate, visceral connection between viewers and the artworks.
Guided by a powerful curatorial vision, ‘Woven Currents’ positioned art as a call to action: to honour, safeguard and collectively steward Africa’s precious shared water heritage.
Each artwork responded directly to Ghana’s pressing aquatic realities.
Emmanuel Aggrey Tieku’s towering textile installation breathed new life into discarded local second-hand ‘Oburoni Wawu’ garments, delivering a searing commentary on waste colonialism and textile-fuelled ocean contamination.
Patrick Tagoe Turkson crafted intricate assemblages from beach-salvaged flip flops and abandoned ghost fishing nets, weaving Asafo flag and Kente cloth iconography into marine debris to unite indigenous cultural wisdom with modern-day ecological crisis.
Sena Burgundy presented introspective blue-hued figurative canvases exploring inner reflection set against shifting environmental realities.
Nana Frimpong Oduro exhibited dream-like surreal photography rooted in Akan cosmology, capturing ancestral echoes and human resilience within Ghana’s coastal waters.
Evans Torngmortey Akornor built evocative threshold-themed mixed media works from fishing shore remnants, unpacking visible and unseen layers of shoreline history.
Attendees also experienced the poignant live dance performance ‘Cry of the River’ by Vivie’s Dance.
The night featured a high-energy live auction of five signature exhibition artworks alongside a raffle draw. Every penny raised went toward vital humanitarian support for vulnerable communities across Ghana.
Diplomatic delegates, collectors, artists and cultural leaders filled the room.
The curatorial team stressed that ‘Woven Currents’ was never mere gala decoration.
It delivered grounded, locally-centred artistic narratives that enriched formal policy conversations on water conservation, repurposing a diplomatic social gathering into a dynamic public platform for ecological dialogue and meaningful giving.
By Edem Mensah-Tsotorme
