Entertainment
AfroStepz Dance Academy clinches wins Praise Dance Battle 2024
The Praise Dance Concert of the 10th Ghana Dance Festival came off last Saturday, featuring the best of Praise Dance Ministers in a holy dance battle for the number 1 spot.
The event which was held at PIWC Atomic, in partnership with the PIWC’s Ministry to Celebrities, saw AfroStepz Dance Academy emerge winners, ahead of Dance 360, Flames Dance Company, CDS, Shepherds, KTwins Gh, and Pawers Nation.
The three-round competition had audience spellbound from start to finish, with dance ministers giving off their best in each round.
For round one, dance ministers performed to their own mix, laced with a Scott Evans song, where the following groups made it top 5- AfroStepz Dance Academy, Dance 360, Flames Dance Company, Shepherds, and CDS.
In round two, dance ministers took on the creative task of using Dance Drama to couch various messages including values from Samson and Delilah; The Prodigal Son; Elijah and the prophets of Baal; Unity and Love over division by parties ahead of coming elections; amongst others.
After the second round, Flames Dance Company were declared winners of the 3rd position with 1000cedis as their prize. AfroStepz and Dance 360 moved on to the final round, where they had to battle for the 1st and 2nd position.
The battle had a face-off format, and featured two of their best dancers in a round of Afropop and hiphop songs, per DJ’s choice.
This round was declared a tie by the competition’s esteemed judges – Illyboy (Leader of Arenees Dance Crew), Erica Appa (Leader of Heroz Dance Crew, and House Ghana), The GreatNet (Leader of Let’s Dance Africa), Abena Lar (Dancer-Bachelor of Arts in Dance and Psychology) and Scott Evans (Urban Gospel Artiste).
To break the tie, the judges called for another face off. In the end, MC of the event, Psalm One, announced AfroStepz as 1st place winners, with 4000 cedis prize money, and Dance 360 as 2nd place winners, with 2000 cedis prize money.
According to CEO of the Ghana Dance Festival, Robert Klah, “dance means different things to different people and the are happy to use their platform to allow for the different expressions in gospel fraternity.
He said, ” This year, we decided to bring the praise dance back to the church, and to offer more people the opportunity to use their dance as a tool of worship and service to God.”
He said “We grateful for the partnership with PIWC Atomic, facilitated by Pastor Michael Laryea and approved by Apostle Athony Mensah. While we are happy with the event, we look forward to a bigger experience next year.”
The event also saw a discussion on how the dancers and the urban gospel singers can work together.
In the panel discussion moderated by Robert Klah, several issues on promotion were discussed. Urban gospel artistes Scott Evans, Kobby Salm, and Kingz Kid represented the interest of the urban gospel musicians.
Kingz Kid highlighted the role of dancers in the promotion of gospel songs using this experience as a reference point.
On his part, Kobby Salm charged the dancers to play their role in the ecosystem by working with musicians to build the industry.
Additionally, Scott Evans reached out to dancers for more collaboration in for collective growth.
Jay Smoke, who was the event DJ used the opportunity to highlight REPJESUS.com platform as a main source of urban gospel library accessible to anyone interested in Ghanaian urban gospel songs.
The session closed with an appreciation of dancers and musicians with a clear understanding to working together, to achieve kingdom objectives.
Also ministering at the event were Let’s Dance Africa, Tema Dance Academy, Incredible Afro, City of Twins, The Talent Tribe, KCC, Yung Commissioner, and JoVarni.
Royal Vessel Incorporated charged the atmosphere with praise and worship at the beginning of the programme.
The programme was made possible with the support of Ps Michael Laryea, and coordinating team Nana Akoto Agyapong, Enoch Agyepong and Dompe, all of PIWC Atomic.
The Praise Dance Concert of the 10th Ghana Dance Festival was in collaboration with DanceSport Ghana, Dancers & DanceSport Association of Ghana (DDASPAG), Ministry to Celebrities of PIWC, and powered by Dancetera.
Gospel artiste, Obaapa Christy has officially launched her annual concert, ‘Royal Praise 2026’, set to be held in Accra and Kumasi this August.
The maiden Accra edition comes off Sunday, August 9, at the UPSA Auditorium. She will be joined on stage by gospel heavyweights Empress Gifty, Celestine Donkor, Joyce Blessing, Kweku Gyasi, Uncle Ato, and Akesse Brempong.
The Kumasi edition follows a week later on Sunday, August 16, at the Church of Pentecost, Bantama.
Patrons there can expect performances from legendary Mama Esther, Broda Sammy, Ernest Opoku, Joyce Blessing, Kwame Gyedu, and Lady Prempeh.
Speaking at the launch at Alisa Hotel on June 12, Obaapa Christy explained that the event was christened Royal Praise, “because as a child of God, I see myself as royalty, same as you. We are all royals in the house of God.”
She urged attendees to embrace the ‘royal’ theme with their dress code and said the concert was meant to stay as an annual event to honour God for His works.
According to her, the event has come to stay, and called on all and sundry to support.
Obaapa Christy thanked fans and sponsors for supporting the launch and expressed optimism for more backing ahead of the main events.
Supporting artistes on the bill who attended the launch threw their weight behind the maiden edition and called on Ghanaians to throng the venues in their numbers.
By Edem Mensah-Tsotorme
Fashion enthusiasts, shoppers, and industry stakeholders gathered at the A&C Mall at East Legon on Saturday as Ghanaian fashion brand, Neesa Atelier officially opened its newest retail outlet to unveil an exclusive capsule collection inspired by West Africa’s rich cultural heritage.
The launch, held as an intimate ‘Sip & Shop’ experience, marked a significant milestone for the growing fashion brand as it expanded its physical presence while showcasing its latest collection, Dust & Raffia.
The collection offers a creative exploration of the cultural links between Ghana and Mali, blending traditional craftsmanship with contemporary fashion design. Guests at the event were given a first look at the limited-edition pieces, which featured a hand-spun cord, raffia, jute, and Bogolan (mudcloth) elements.
According to the Creative Director of Neesa Atelier, Pamela Sarkodee, the collection celebrates the enduring connections among African communities and highlights the beauty of indigenous craftsmanship.
“This collection celebrates the stories that connect us across borders. By bringing together Bogolan, raffia, jute, and cordwork, we wanted to create pieces that honour heritage while presenting a contemporary vision of African luxury,” she said.
Throughout the event, guests toured the new retail space, interacted with the collection, and enjoyed an exclusive shopping experience that included special in-store offers. The occasion also provided an opportunity for fashion lovers to engage with the brand’s vision of blending culture, creativity, and community.
The Dust & Raffia collection draws inspiration from the textures, symbols, and traditions that have connected Ghanaian and Malian communities over generations. Through the use of natural materials and handcrafted techniques, the collection seeks to preserve cultural narratives while presenting them through modern fashion.
The new A&C Mall outlet has been designed to provide customers with an immersive shopping experience, giving them access to Neesa Atelier’s signature collections as well as future releases within one of Accra’s leading retail and lifestyle destinations.
Industry observers say the expansion reinforces Neesa Atelier’s growing reputation within Ghana’s fashion industry as a contemporary African brand committed to celebrating identity, heritage, and craftsmanship through innovative design.
The Dust & Raffia capsule collection is currently available for pre-order, with a wider public release expected in the coming weeks.
By Esinam Jemima Kuatsinu
