Entertainment
Africa’s young TV Host interviews M Dot Taylor, a Grammy member and USA Recording Artiste
In the heart of Africa, where the sun sets in a spectacular splash of colours and the rhythms of life pulse through the air, a young and dynamic TV host has carved a niche for himself as a prominent TV Presenter, Travel Blogger and International Public Relations practitioner.
His passion for connecting leads and making merit globally has led him on countless adventures across the continent, showcasing Africa’s rich culture, stunning landscapes, and unique narratives.
Known as DS De Golden Bhoy, he had a one-on-one interview with M Dot Taylor, a Grammy member and hip-hop artist from the USA, whose music resonates with fans around the globe.
The interview took place on Facebook live adorned with high spirited expectations and hope for the entertainment world, reflecting the fusion of African and American cultures.
As all attention focused on the very important interview, Hollywood-Africa Connect on Addictive Culture on Urban Culture Global, the atmosphere buzzed with excitement.
M Dot Taylor, known for his thought-provoking lyrics and infectious beats, was eager to share his journey, inspirations, and thoughts on the global music scene.
The young host kicked off the interview by asking M Dot about Grammy and how impactful it’s been to him and influences in music.
He spoke passionately about the artists who shaped his sound, from legendary hip-hop figures to African musicians who inspired him with their storytelling and rhythm.
As the conversation flowed, the host deftly transitioned to the topic of travel.
M Dot Taylor, who has toured extensively across the United States and abroad, shared his favourite travel experiences, emphasising how each destination offered a unique flavor that fuels his creativity.
“Traveling opens your mind and heart,” he explained. “It’s not just about seeing new places; it’s about connecting with people, understanding their stories, and finding common ground.”
Grammy Awards Member, M Dot Taylor also encouraged international collaborations, procedure to get onto Grammy nominations, the kind of project that qualifies, etc.
He stated that “we are ready to empower African Creatives and if any African creative needs a collaboration or needs to know more about Grammy procedure/nomination, they should reach out to DS De Golden Bhoy for extensive discussion.
M Dot listened intently, nodding in agreement, as they both celebrated the richness of diversity and the power of storytelling through music and travel.
The interview took an exciting turn when the young host asked M Dot about his thoughts on the future of music and what he has got to say to up-coming artistes.
With conviction in his voice, he spoke about the responsibility that comes with being an artist: “We have a platform, and it’s our duty to use it wisely. Hip-hop/music has always been a voice for the voiceless, and as artists, we can shine a light on the issues that matter most.”
As the interview wrapped up, Dot Taylor expressed his appreciation to key figures who impacted his music journey positively, (Ice T, George Ohan etc) and expressed gratitude to them for their immense impact on his life.
The energy was palpable, a testament to the powerful connection forged through their conversation.
They both recognised that despite the geographical distance, their passions for music, travel, and storytelling bridged the gap between their worlds.
The interview not only showcased M Dot Taylor’s journey as an artist but also highlighted the importance of cultural exchange and collaboration in today’s global society.
As the young host continues to inspire others with his travels and interviews, he embodies the spirit of Africa’s vibrant youth, ready to take on the world, one story at a time.
M Dot Taylor promised to touch the African soil soon to help impact positively on the creative industry after the host asked him which of the African artistes he knows, he mentioned Wiz Kid, Davido, Tems, Burna Boy and DS De Golden Bhoy added the likes of Shatta Wale, Stone Bwoi, Sarkodie, Medikal, Kidi, Quame Eugen to the list of artistes he should look out for.
BY SPECTATOR REPORTER
Entertainment
‘Artivism’ at TGMA27: Okyeame Kwame uses gold-themed Red Carpet look to wage war against galamsey
Renowned musician and “Rap Dacta” Okyeame Kwame transformed the 2026 Telecel Ghana Music Awards (TGMA) red carpet into a platform for environmental activism, making a bold visual statement against the devastating effects of illegal mining, affectionately called galamsey.
Arriving in a striking ensemble, the artiste was draped in gold colours from head to toe, complete with a matching gold-plated sword.
However, the glamour carried a somber message. Flanked by two bodybuilders who performed as figures suffering from the physical and environmental “cancers” of illegal mining, Okyeame Kwame’s appearance served as a stark contrast between the beauty of Ghana’s gold and the destruction caused by its extraction.
Speaking to host Giovanni Caleb, the musician explained that his “glittering” look was a deliberate irony intended to spark a national conversation.
“I wanted to look like gold to remind Ghanaians that while gold glitters, galamsey destroys our rivers, our rocks, our air, and our nature,” Okyeame Kwame stated.
He further emphasised that the fight against environmental degradation transcends partisan lines.
“If we glitter like this once every year and forget that it is not the responsibility of the NPP or NDC, but the collective responsibility of all Ghanaians to stop this galamsey cancer, then we have failed,” he added.
Long recognized as an ‘Artivist,’ Okyeame Kwame has a storied history of using his public platform to champion social and environmental causes.
The 2026 TGMA, while a night of musical celebration, was momentarily refocused by the Rap Dacta’s plea for the protection of Ghana’s natural heritage, proving once again that art remains one of the most powerful tools for social change.
Okyeame Kwame is currently out with new single dubbed, “Clap,” a song encouraging communal support and celebration of others’ successes.
By Edem Mensah-Tsotorme
The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.
On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
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