Entertainment
I don’t feel stage fright, I have psyched myself against it – Lasmid
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Ghanaian musician, Lasmid has disclosed that he has overcome stage fright because he psyched himself up, way before he entered the music industry.
Making an appearance on Adwuma Adwuma and interacting with its host, Felicia Osei, the ‘Friday Night’ hitmaker revealed that stage fright is not a part of him and he explains why.
“It’s not a part of me. I feel that it is something we do often so I’ve realized that it’s normal for people not to enjoy your performance,” he disclosed.
The season 8 MTN Hitmaker winner advises all artistes to have in mind that not every performance gets positive feedback from the audience.
“I think every artiste should have this in mind; sometimes you go on stage and no one minds you. It doesn’t mean they are not listening to your music; they are. It’s normal so those things don’t get to me,” he highlighted.
According to him, “Sometimes, some people are paying close attention to what you are doing but they choose to just observe and listen though not so energetic about it. Sometimes, that’s how it is.”
When asked how he was able to get his mind in tune with this view, he indicated that he prepared himself way before he entered the music industry.
“Before entering the space, this is the mindset I came with because when I climb the stage, I’ve never been booed before but when I see it being done to others, I put myself in their shoes. Based on this, I psyched myself so that, should I face it, I should be fine,” he mentioned.
Lasmid further pointed out a few instances where it is appropriate for artistes to remain on stage and continue performing, adding that in some cases, you can vacate the platform.
“Sometimes, when you are booed, you have to leave the stage. In some cases, it brings your morale down but sometimes, when you are being booed but you know your next will ginger them up, you can continue singing. So sometimes, you have to leave the stage and sometimes, you have to continue singing,” he said.
Though haven’t faced that unpleasant experience, he shared the story of one of his friends who went through it.
“One of my friends went through that ordeal but when he finished performing, he was applauded. I was confused because a while ago, these same people were booing him. I think the next song is what got him the fans,” he shared.
Credit: 3news.com
An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme
