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The punches and emotions: Where is beef taking music industry?

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Beef which is slang for friction between artistes in the music industry had been in existence for many years, and Ghana’s music scene had not been spared the phenomenon.

At times, these hard punches that are thrown about end up bruising emotions of the targets thus leading to a long standing animosity between them.

There had been many occasions where musicians in the country threw lyrical shots at their colleagues to express their disapproval at certain utterances made about them in a controversial manner.

Sometimes the feud is over after a couple of diss tracks and later resolved with a face to face meeting. Other times, they ended in violence, and sometimes, they don’t end at all.

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An example in Ghana’s music circles is that beef that existed between Ex Doe and Chicago, Obrafour against Okyeame Kwame, Sarkodie versus Shatta Wale, Kwaw Kese against Shatta Wale, Medikal and Strongman among others.

One which had attracted many eyeballs was Shatta Wale and Stonebwoy’s beef, which resulted in marring the 2019 Vodafone Ghana Music Awards, after the latter pulled a gun, following a provocation by Shatta Wale.

After, it became a legal tussle, taken over by the police and the judicial system of the country, a businessman came into the scene to patch up the crevice between the two dancehall gems. This is to say, it ended peacefully, and since then, nothing scrappy has come from both camps.

An example of a beef which seemingly became violent in the United States of America and led to the loss of lives was the famous Notorious BIG and Tupac Shakur, a feud which was believed to have ended the lives of these artistes, even though no one had been prosecuted for either murder, and there’s no evidence that the beef directly led to the killings.

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Both were on good terms until Tupac was shot five times in a Manhattan recording studio on 30 November 1994. He suspected Biggie and his mentor, Sean “Puffy” Combs, of arranging the shooting.

This blossomed into a more dangerous vendetta between the east and west coast factions, stoked by lyrical provocations from Biggie “Who Shot Ya?” and Tupac “Hit ‘Em Up.” Tupac was gunned down in 1996, and Biggie, six months later. 

Mention can be made of Drake and Meek Mill, Kayne West and 50 Cent, Kylie Genner and Black Chyna, Nicki Minaj versus Azealia Banks, Khloe Kardashian against Amber Rose, Jay Z and Nas among others.

Currently in Ghana, there is some thunderous lyrical shots fired from the camps sultry singer, Sista Afia, rappers, Eno Barony and Freda Rhymz. They have expressed their disaffection at each other by showing their prowess in diss songs, even though some music lovers found some of the words to be unfortunate, as body shaming and wild sexual allegations took center stage.

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The whole brouhaha started when Sista Afia, an afro-pop and highlife singer decided to exhibit her rap prowess, which she was not noted for, to stoke some controversy among the female musicians in Ghana.


Sista Afia released a diss song titled “WTM” (Women Must Talk), on April 22, where she made some derogatory remarks about her fellow female musicians and claimed to be ‘Queen Solomon’.

As though it was not enough, she released another diss song, “U Got Nerves”, this time, it really got to the nerves of Eno Barony and Freda Rhymz.

Following this, Freda Rhymz fired back by going hard on Sista Afia with a new track dubbed “KMT” (Komot For There), calling her (Sista Afia) an emotional singer.

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Irked by Sista Afia’s jab, rapper, Eno Barony who released “Rap Goddess” to declare herself as the best in the rap game, and further came through to punch hard with “Argument Done”, which even roped in male rapper Medikal, referring to him as a ghost writer doing the dirty works for the singer (Sista Afia).

Not letting down her guard, Freda Rhyme has fired another diss song dubbed “Point of Correction” targeted at Eno Barony and Sista Afia, making wild accusations against these artistes, asserting that, they gave sex for collaboration with male artistes.

Sista Afia who was pained by this, twitted that “I hope all these insults, when you see me, you will get that confidence to say it to my face”, quickly, Freda Rhymz replied by saying, “Oh please, you can’t do sh*t”, abrewa, to wit, an old lady.

Male Rapper, Medikal, who was roped into the beef, in a tweet has stated that “Don’t ever think I will waste time recording a diss track for a female rapper, especially, when the person looks like a corpse. Is a dead thing.”

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Gradually, emotions are beginning to take the best out of what could have been a mere war of words due to some of the derogatory punch lines, which could end up in an unfortunate situation.

Even though beef has many negative tendencies because who fought the hardest to destroy the other becomes the order of the day, some music lovers believe that an industry without beef exhibits less competition which renders it more boring.

With all these accounts, where is this beef taking us? The good, the bad, or the ugly?

By Edem Mesnah-Tsotorme

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Guinness Ghana Introduces GH¢100,000 Prize for TGMA Album of the Year Winner

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Guinness Ghana has announced a new annual prize package for winners of the Album/EP of the Year category at the Telecel Ghana Music Awards (TGMA), as part of efforts to support the country’s music industry.

The company said beginning from the 27th edition of the awards, the winner of the category will receive a GH¢100,000 cash prize, funding support for a music video for their next project, and a curated album listening experience.

According to Guinness Ghana, the initiative is aimed at promoting creative excellence and contributing to the growth of Ghana’s music ecosystem.

Head of Media and Partnerships at Guinness Ghana, Yaa Amoah-Owusu, said the category represents the highest level of artistic work in the industry.

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“The Album/EP of the Year category represents the pinnacle of artistic expression — body of work, storytelling, and sonic identity. This package is Guinness Ghana’s way of recognising excellence and investing in the future of the artist and the industry at large,” she stated.

She added that the company’s support goes beyond recognition on awards night, as it seeks to create long-term value for artistes and the wider creative sector.

Guinness Ghana, a long-time partner of the awards scheme, noted that the initiative will also help increase visibility and audience engagement for the winning artiste’s future projects.

The nominees for the Album/EP of the Year category include Black Sherif for Iron Boy, Stonebwoy for Torcher, Gyakie for After Midnight, Medikal for Disturbation II, Wendy Shay for Ready, and Kweku Smoke for Walk With Me.

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Head of Public Events and Communications at Charterhouse, Robert Klah, welcomed the initiative, describing it as timely support for the music industry.

“This is an important intervention from Guinness Ghana. It aligns with our commitment to celebrate and elevate Ghanaian music, while also creating tangible support for artistes,” he said.

He added that the move highlights the importance of albums and EPs as lasting creative works.

The announcement comes ahead of the 27th Telecel Ghana Music Awards, organised by Charterhouse, with Telecel as headline sponsor, media partnership from TV3, and support from Guinness Ghana.

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Guinness Ghana Breweries PLC is one of the country’s leading beverage companies and continues to support arts, culture, and community development in Ghana.

By: Jacob Aggrey

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Gomoa Easter Carnival: Community empowerment through entertainment

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Kwame APlus
Kwame APlus

GOMOA Central Constituency in the Central Region of Ghana was the place of attraction for this year’s Easter, as Member of Parliament (MP) for the area, Kwame Asare Obeng, affectionately called Aplus staged a four-day carnival.

The event started with a welcome bonfire night, where the people of Gomoa and some dignitaries proceeded through the principal streets of Gomoa Central on Thursday, April 2, 2026.

• Some models at the event

It continued on Friday with Highlife Night, which saw Kwabena, Bless, Dada Hafco, Kofi Nti, Ofori Amponsah, Samini and others rock patrons.

Saturday started with a walk from Obuasi through Afranse to Ekwamkrom, where a durbar of chiefs was held.

The night erupted with concert at Ekwamkrom headlined by Ghana’s Finest Sarkodie. Sarkodie indeed proved his mettle with back-to-back hit songs and engaging performance.

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Patrons also enjoyed mind-blowing performances from Keche, Kuami Eugene, Tinny, Obaapa Christy, Sista Afia and many others.

On Sunday, which was the final day, witnessed packed performances from Patapaa, Kofi Kinaata, Jupitar, Kwaw Kese, Piesie Esther, and Amerado amongst others.

Patrons enjoyed exquisite catwalk on the runway as Smully Wear put together some local designers for a fashion show.

Kofi Kinaata performing at the carnival
Kofi Kinaata performing at the carnival

The likes of Aplus, MP for the area, Deputy GTA Boss Gilbert Aggrey (Abeiku Santana), New Media President Eugene Osafo Nkansah and Media Personality Kleff Maxwell Justice (KMJ) were all on the runway as models.

On each day, up and coming musicians had their time on the big stage to enthrall the audience.

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Mr Kwame Asare Obeng in an interview with The Spectator expressed his appreciation to the traditional leaders of the area, the constituents, Corporate Ghana and all and sundry for their unflinching support.

He said the success of the maiden edition will lead to even a bigger one next year.

According to him, his constituents who own businesses like hotels, restaurants, other traders and drivers among others were able to cash out from the carnival, which was very satisfying to him.

“Empowering the community to make ends meet to cater for their families was important for me. I have engaged most of them, and they are happy with sales. This makes me very happy,” he said.

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By Edem Mensah-Tsotorme

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