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Damba: The festival that unites Northern Ghana
Few festivals in Ghana carry the weight of history, colour, and unity like the Damba festival.
What began centuries ago as a religious commemoration has today blossomed into the largest cultural festival in Northern Ghana, celebrated across the Northern, Savannah, North East, Upper East, and Upper West regions.
From the palaces of Dagbon, Mamprugu, and Nanumba, Damba resonates with the sound of drums, praise-singers, and the spectacle of tradition.
Its significance has even transcended borders, drawing Ghanaians and foreign admirers to international editions held in Germany, the United States, and the United Kingdom.
The name Damba is rooted in the Dagbani language, though it appears in other tongues, Damma in Mampruli.
Observed in the third month of the Dagomba calendar, which coincides with Rabia al-Awwal in the Islamic calendar, Damba was originally celebrated to mark the birth and naming of Prophet Muhammad.
Over time, it has evolved into a grand festival celebrating chieftaincy, kinship, and the resilience of Ghana’s northern kingdoms.
The festival unfolds in three major stages that is Somo Damba, Naa Damba, and the grand Belkulsi or farewell procession. In the early days, the Yila Bohambu, or nightly musical rehearsals, fill the palaces with song.
Women of the royal courts lead these performances, keeping alive the traditional chants and rhythms that set the tone for the celebrations. The Somo Damba is a solemn time of prayer, drumming, and dignified dancing.
It is followed by the youthful exuberance of the Binchera Damba, where young men and women take to palace grounds in worn yet stylish smocks, showcasing creativity and spirit in a torn couture display.
Another revered rite, the Shinkaafa Gahimbu (picking of rice), sees clerics, led by the Yidan Moli at the Gbewaa Palace, offering symbolic rituals of blessing and prosperity.
The Nahu Glibu, or rounding of the cow, performed by chiefs, demonstrates wealth, unity, and the continuity of life. But it is the Naa Damba, the King’s Damba that truly crowns the festival.
Here, the atmosphere reaches its peak: chiefs ride majestically on horseback, praise-singers proclaim ancestral glories, and the air explodes with musketry from warriors, signalling strength, protection, and bravery.
One of the most breathtaking spectacles of Damba is the procession of the queens. Adorned in regal cloths and glittering ornaments, they gracefully carry golden-coloured bowls, abolition cans, utensils, sandals, and animal skins, the very seat and symbols of authority for the chiefs.
Each item tells a story, each step a reminder of the sacred duty queens play in preserving heritage and continuity.
Their slow, elegant movement is met with admiration from the gathered crowds, reinforcing the balance between royalty and community. No Damba is complete without the vibrant dances that fill the courtyards.
The housing dance, performed with synchronised grace, captures the essence of belonging, while the warriors’ displays, accompanied by fierce drumming and bursts of musketry in the skies is to celebrate resilience and courage.
These performances not only entertain but also remind communities of their history, values, and collective identity.
The festival’s climax, Belkulsi, bids farewell in a grand procession. Families exchange visits, gifts are shared, and friendships renewed.
Streets and palace grounds explode with colour, sound, and movement, leaving behind memories that last until the next Damba.
From Gonja, Dagbon, Mamprugu, Wali and Nanumba, Damba has remained a symbol of identity and unity.
Its international editions in Cologne, New York, and London highlight the festival’s growing role as a cultural ambassador, projecting Ghana’s northern traditions to the world stage.
Damba is a living archive of history, an affirmation of heritage, and a celebration of the bond between people and tradition.
In its rhythm, regalia, and rituals, one sees not only the past but also the promise of continuity for generations to come.
From Geoffrey Buta, Yendi
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In a rare display of cross-party collaboration, two Members of Parliament from opposing political traditions have set aside partisan differences to champion a shared cause—empowering women and transforming communities.
On February 14 (Valentine’s Day), the Savelugu Community Centre hosted the official launch of the Yooyili Pag-Dede Foundation, an initiative designed to expand economic opportunities for women, strengthen early childhood education, nurture youth creativity, and improve access to clean water.
Leading the effort was Abdul Aziz Fatahiya, Member of Parliament for Savelugu (New Patriotic Party), who was joined in solidarity by Dorcas Affo-Toffey, Member of Parliament for Jomoro and Deputy Minister for Transport.
The partnership has drawn attention not only for its development focus but also for its symbolism—a bipartisan alliance centered on people-first leadership.
In her address, Fatahiya emphasised that while the people of Savelugu were hardworking and resilient, many women and young people lack structured opportunities to maximise their potential.
“Our women are determined, but determination alone is not enough. We must build systems that give them access to resources, skills, and markets,” she stated.
She explained that the Yooyili Pag-Dede Foundation will operate through five core programmes, including potable drinking water.
The foundation also seeks to promote financial independence for women and ensure the inclusion of persons with disabilities in community development efforts.
Key initiatives include:
- She Grows: supporting women farmers with training and modern agricultural initiatives.
- Style of Dagbon: a hub for women’s fashion entrepreneurship and creative enterprise.
- Story Weavers of Yooyili: empowering children aged six to 15 as storytellers, artists, and cultural ambassadors.
- Dagbon Karizung: strengthening pre-school education across Dagbon communities.
- Clean Water Project: expanding access to safe and potable water.
Delivering the keynote address, Mohammed Amin Adam, the Member of Parliament for Karaga and former Finance Minister, underscored the central role of education in breaking the cycle of poverty.
He urged parents to prioritise investment in their children’s future and commended Madam Fatahiya for the initiative, supporting it with a donation of GH¢20,000.
Madam Affo-Toffey praised the project, describing it as a commendable initiative worthy of emulation, particularly by female MPs across the country. With an initial GH¢20,000 donation, she noted that the initiative had inspired her to explore similar development models within her own constituency.
Prior to launching the foundation, Madam Fatahiya organised a free breast cancer and chronic disease screening programme that benefited more than 3,000 women across Savelugu.
She described the foundation as an extension of that commitment, aimed at addressing systemic barriers to women’s advancement through practical and sustainable solutions.
In a lighthearted moment that drew laughter and applause, Madam Fatahiya referred to herself and her colleague as “the Gen Z MPs.”
“WE may belong to different political parties, but today we are the Gen Z MPs that collaborate, innovate, and we don’t wait,” she remarked.
She added that a new generation of women political leaders are willing to bridge divides in pursuit of measurable impact.
Also present at the launch was Habib Iddrisu, Member of Parliament for Tolon, who noted that the initiative signals a shift toward issue-based governance to one that prioritises development outcomes.
The event attracted several dignitaries from both political parties, including the Northern Regional Chairman of the NPP, as well as former MCEs and DCEs.
In an era frequently characterised by political polarisation, the bipartisan cooperation witnessed in Savelugu offers a compelling alternative narrative, when leaders unite around shared values and community needs, transformation becomes possible.
From: Geoffrey Buta, Savelugu
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THE Akatsi South Municipality recorded 314 teenage pregnancies in 2025, exceeding the national target despite intensified efforts by health officials to curb the situation.
“Sad as it may be, six girls aged 10–14 years were pregnant, and 269 teenagers delivered, of which five were between 10–14 years, all making up 12.1 per cent against the national target of reducing below 11.5 per cent,” Miss Justine Sefakor Alornyo, Municipal Director of Health Services, disclosed during the 2025 health performance review at the Akatsi South Municipal Assembly Hall.
Under Antenatal Care (ANC), 2,594 pregnant women were registered in 2025, representing 65.9 per cent coverage, up from 2,278 in 2024 with 58.4 per cent coverage.
The Municipality recorded 2,071 supervised deliveries in 2025, a slight increase from 1,997 in 2024. All 2,071 newborns received BCG, Penta, and Measles-Rubella vaccines.
Miss Alornyo attributed the gains to continuous education and advocacy across the Municipality.
On HIV, 151 cases were identified—108 females and 43 males. All are on treatment, including 15 pregnant women who tested positive. Eighteen exposed babies have been placed on prophylaxis.
She added that 60 tuberculosis cases were managed, while investigations into six suspected measles cases, two yellow fever cases, and one Acute Flaccid Paralysis (AFP) case all tested negative.
Highlighting achievements, Miss Alornyo thanked stakeholders, especially the Municipal Assembly, for supporting service delivery. In 2025, the construction of CHPS compounds at Zuta, Ahlepedo, and Asafotsi, as well as the renovation of the Wute Health Centre, is ongoing.
Midwives were posted to Wuxor, Gui, Dzogadze, Akuave, and Livega CHPS facilities, while Dzogadze and Gui CHPS were officially handed over for service delivery.
The annual review assessed progress, achievements, gaps, and innovative strategies to address health challenges.
Akatsi South Municipality is served by 40 health facilities: two hospitals (one private and one municipal), six health centres, 27 CHPS compounds, one CHAG facility, and four clinics.
Infrastructure deficits and transportation challenges remain key concerns.
—GNA
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